Comedy Reviews
Isy Suttie, TouringTuesday, 23 February 2016
Isy Suttie, an ever-smiling and engaging stand-up, may come across as a real-life version of Dobby, the perpetually nice character she played in Peep Show, but that's somewhat to deceive. Read more... |
Stewart Francis, Pavilion Theatre, WorthingMonday, 22 February 2016
Before Canadian comedian and British TV panel show regular Stewart Francis arrives on stage his audience are entertained with his one-panel cartoons. These, Sharpie-penned in black, are projected as a slideshow (sample: in a fishbowl, one fish says to the other, “It’s all kicked off again in the Middle East” – title “Topical Fish”). Read more... |
Reeves & Mortimer, Leicester De Montfort HallFriday, 05 February 2016
Even if the evening had turned out to be rubbish, there was always going to be a warm welcome for Vic Reeves and Bob Mortimer's return to live performance with 25 Years of Reeves & Mortimer: The Poignant Moments. Aside from the obvious room for nostalgia, Mortimer almost didn't make it; this tour could start only after he had emergency triple bypass surgery last year. Read more... |
Dave Gorman, TouringWednesday, 27 January 2016
Dave Gorman was probably the first comic to have embraced technology in his stand-up. Albeit, in the early days, it was using 35mm slides, hand-drawn graphs and an overhead projector, but then latterly a computer and the ever-more influential Internet and social media. And so, as is a feature at all his shows, there's a large screen on stage when I see him at the Royal Festival Hall and when he says: “I've put it on a graph” there's a loud cheer of recognition from the audience. Read more... |
Eddie Izzard, Palace TheatreFriday, 22 January 2016
Eddie Izzard tells us at the top of a show lasting two-and-a-half hours that he's on the home straight in a mammoth tour taking in 28 countries. He first performed Force Majeure in 2013 and now, in a slightly rebooted form, he parks it in the West End for an extended run as Force Majeure Reloaded. Read more... |
Anne Edmonds, Soho TheatreFriday, 08 January 2016
When Anne Edmonds comes on stage I notice a banjo sitting ominously in a corner. She is full of Australian bonhomie and energy, instantly connecting with the audience, and our first impression is that she's a likeable chatterbox, telling anecdotes without punchlines - and she begins with a lengthy one about spewing copiously on a New Year's Day flight in front of her parents some years ago. Read more... |
Bill Bailey, Vaudeville TheatreSaturday, 12 December 2015
What a trouper Bill Bailey is. Just as he's introducing what is clearly meant to be a showstopper in which he and the audience would create a number in the style of “maestro of melancholia” Moby, his technology lets him down. But no fear, Bailey ad libs for several minutes as he tries to rectify the problem, knocks out an Irish reel on one of the many instruments on stage, and moves on when it's clear that the “Moby song" will have to remain unsung. Read more... |
Ed Byrne, Theatre Royal, WinchesterWednesday, 25 November 2015
The show's title, Outside, Looking In, might suggest we're in for some philosophising from Ed Byrne – but then, after 22 years in the business, the Irish observational comic has earned the right. And indeed, he covers subjects such as feminism, slut-shaming and gender imbalance, but in the mix there is also some material about the perils of dating and a graphic description of food poisoning. Read more... |
Harry Enfield and Paul Whitehouse, Eventim ApolloTuesday, 17 November 2015
Loadsamoney stomps on clutching a wad of twenties. He hasn’t been seen since the Eighties, he advises, because he became irrelevant. In the strict sense Harry Enfield and Paul Whitehouse have never been relevant. Relevant comedy has a habit of becoming irrelevant, which is why their Legends! tour is such a treat for audiences over a certain age. Read more... |
Dawn French, Vaudeville TheatreFriday, 13 November 2015
When is a comedian not funny? Dawn French has spent so much of her life making audiences laugh that her debut as a one-woman performer requires some recalibration. The next-door smile is as big as ever, and the eagerness to be liked, so the early section – about the thieving march of time – looks and sounds like a stand-up routine that isn’t quite landing. Laughs are thin on the ground. Read more... |
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