Comedy Reviews
Luisa Omielan, Soho TheatreThursday, 25 September 2014
Awards are strange things; they can recognise real achievement while at the same time overlook the really talented. Annoyingly, Luisa Omielan fell into the second category with her first two full shows - What Would Beyoncé Do? and its equally joyous follow-up, Am I Right Ladies?! - both of which should have been recognised in the Edinburgh Comedy Awards (in 2012 and this year respectively) but weren't. Read more... |
Forbidden Broadway, Vaudeville TheatreTuesday, 16 September 2014
“It takes a star to parody one,” wrote theartsdesk’s Edward Seckerson, nailing the essence of this immortal spoof-fest’s last incarnation at the Menier Chocolate Factory. Star quality was assured given the presence of Damian Humbley, peerless in Merrily We Roll Along and even the unjustly short-lived Lend Me a Tenor, who’s in this transfer. Read more... |
Steen Raskopoulos, Soho TheatreThursday, 28 August 2014
Steen Raskopoulos has hit the ground running with his debut show; it was nominated for a Foster's Edinburgh Comedy Award (best newcomer) at the Fringe earlier this month, after he won Sydney Comedy Festival 2013 and Melbourne International Comedy Festival 2014’s best newcomer gongs. Read more... |
John Kearns/ Alex Edelman/ This Is CeilidhTuesday, 26 August 2014
John Kearns: Shtick, Voodoo Rooms ****London comic John Kearns made history at the weekend, when he became the first comic to win the main prize at the Edinburgh Comedy Awards after winning best newcomer gong, which he did last year That's some achievement. Read more... |
Edinburgh Fringe 2014: Chris Turner/ BEASTS/ Angela Barnes/ Show PonyTuesday, 19 August 2014
Chris Turner: Pretty Fly, Pleasance Courtyard **** This is Chris Turner's debut show as a stand-up, although his previous experience in improv group Racing Minds gives him a wonderful assurance on stage and an easy rapport with his audience. Read more... |
Edinburgh Fringe 2014: Adam Riches/ Josie Long/ Loretta Maine/ Dane Baptiste/ Tom AllenSunday, 17 August 2014
Adam of the Riches, Pleasance Dome ****No one is safe at an Adam Riches show from being grabbed to take part in his frantic sketch comedy; each skit in this hour of anarchy involves audience participation, from using someone's mouth as a cocktail mixer (compete with half a banana shoved in his gob) to having gents of a certain age “strumming” each other's hair, as if a harp. Read more... |
Edinburgh Fringe 2014: Bridget Christie/ Men in the Cities/ Lazy Susan/ OutingsWednesday, 13 August 2014
Bridget Christie: An Ungrateful Woman, The Stand *****This is the “difficult second album” show for Bridget Christie, despite her having done 10 years at the Fringe. She finally found her voice at last year's festival, deservedly winning the Edinburgh Comedy Award after a raft of five-star reviews for her avowedly feminist show, A Bic for Her - but how do you follow that? With another five-star show, obviously. Read more... |
Edinburgh Fringe: Andrew Maxwell/ SpoilingSaturday, 09 August 2014
Andrew Maxwell (****) tells the Scots in the audience that he’s going to “rip the shit out of everything they hold dear” in Hubble Bubble, his take on the independence referendum. He doesn’t quite do that but it’s a witty and thoughtful take on the issues surrounding the vote. Read more... |
Ursula Martinez: My Stories, Your Emails, Purcell RoomWednesday, 06 August 2014
In her book How To Be a Woman, Times columnist Caitlin Moran explains the difference between strip clubs and burlesque shows, and why the latter are perfectly acceptable to feminism. Read more... |
Edinburgh Fringe: Sarah Kendall/Christian O'ConnellMonday, 04 August 2014
Comics rarely start a show by referencing the ending of a previous one, but Sarah Kendall has first to do a bit of housekeeping to explain the genesis of Touchdown. The payoff for her last show was her dropping the c-bomb on her high-school gym teacher, Coach Harris, but when her mother attended a gig she said to her daughter: “It didn’t quite happen like that, though, did it?” Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Titanique, Criterion Theatre review - musical parody sinks d...
This Celine Dion jukebox musical has been a big hit in New York, but...
Album: Franz Ferdinand - The Human Fear
Travel back in time to the mid 2000's and you would be hard pressed to escape 'Take Me Out' by Franz Ferdinand on the air waves. On the radio,...
Maria review - Pablo Larraín's haunting portrait of an...
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...