Comedy Reviews

Rob Delaney, QEH

Veronica Lee Thursday, 25 June 2015

Most people in the UK will know US comic Rob Delaney from his wonderfully sardonic Twitter feed (1.17 million followers) or his autobiography Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage - a painfully honest (and often snortingly funny) account of his alcoholism as a younger man.

Tommy Tiernan, Soho Theatre

Veronica Lee Monday, 15 June 2015

Tommy Tiernan tells us not to take him seriously at the start of his latest show, Out of the Whirlwind. “I’m like a cow mooing for the sake of mooing,” he says – which neatly explains the surreal riffs in a mesmerising 80 minutes, but also lets him off the hook for some of his edgier material. He has often courted controversy in his native Ireland, and there is the occasional line tonight that draws a shocked response from the audience.

Nina Conti, Theatre Royal, Brighton

Thomas H Green Wednesday, 20 May 2015

“Two-and-a-half hours? That’s one hell of a long puppet show,” said a friend. We had, however, read the Brighton Festival programme wrong. The pre-interval section of last night’s show was a screening of the BBC documentary Nina Conti – A Ventriloquist’s Story: Her Master’s Voice, which was on television a couple of years back and nominated for a BAFTA.

Alex Horne: Monsieur Butterfly, Soho Theatre

Veronica Lee Friday, 08 May 2015

There are many forms of comedy – stand-up, sketch and improv among them – and now Alex Horne has introduced a new genre as he constructs his set during the hour he spends on stage. It's a kind of Heath Robinson or Rube Goldberg device (that is, a machine that performs a simple task in an unnecessarily complicated way), and the anticipation builds as we see it coming together, and finally learn its purpose.

Panti: High Heels in Low Places, Soho Theatre

Veronica Lee Friday, 24 April 2015

Panti Bliss is not a name on many people's lips outside Ireland, but over the past year she has gone from little-known club performer to self-described “accidental activist”, and this utterly charming, funny and touching show tells her story.

James Freedman: Man of Steal, Menier Chocolate Factory

Veronica Lee Wednesday, 15 April 2015

Normally comedy critics tell people not to sit in the front row, lest they're picked on by a particularly boorish comic. No such problem for audiences at James Freedman's interesting and unusual show about the art of pickpocketing and more modern crimes; nobody is safe from being volunteered and, in the evening's memorable finale, the subject wasn't actually in the audience when one of Freedman's tricks made him the star of the show.

The Pub Landlord, Touring

Veronica Lee Monday, 23 March 2015

Al Murray is celebrating 20 years as his brilliant invention the Pub Landlord, an autodidact, xenophobic sexist with misogynistic undertones. Who better then, you may think, to run for a certain political party in the forthcoming election? You'd be wrong, because the Pub Landlord has founded the FUKP (the Free United Kingdom Party) and he, its sole candidate, is standing for the Thanet South constituency, where Nigel Farage of Ukip just happens to be running.

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Nina Conti Clowning Around, BBC Four

Tom Birchenough Monday, 16 March 2015

Ventriloquist Nina Conti, along with her wisecracking sidekick Monkey, has emerged as one of the sharper comedy acts of the past few years but Nina Conti Clowning Around was an uneasy, far from comic film.

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The 2,000 Year Old Man, JW3

Veronica Lee Monday, 16 March 2015

Well, here’s an interesting endeavour. The 2,000 Year Old Man was a series of improvised sketches performed in the 1960s by Mel Brooks and Carl Reiner. Brooks played the old guy, talking about all the great names in history – Jesus, Joan of Arc, Napoleon and many more – he has known in his long and eventful life. Reiner was the straight man, lobbing the questions that Brooks would then riff on.

Dracula! (Mr Swallow - the Musical), Soho Theatre

Veronica Lee Thursday, 19 February 2015

Nick Mohammed's show has had a slight change of title since it debuted at the Edinburgh Fringe last year, where it was called Mr Swallow - the Musical, and garnered warm reviews for its shambolic silliness.