wed 26/06/2024

Comedy Reviews

Nina Conti, Soho Theatre

Veronica Lee

Ventriloquism, once a staple of music hall and variety theatre, has rather gone out of fashion. More mature readers - or students of the form - may be familiar with names such as Edgar Bergen and Charlie McCarthy, Shari Lewis and Lambchop or Ray Alan and Lord Charles, but they are all decades gone from our stages and television screens. Nina Conti is now one of just a few vent acts to have a popular following, and she's reinventing the form.

Read more...

Daniel Kitson, Theatre Royal, Brighton

Thomas H Green

Aware I was going to see a stand-up comedian at the Brighton Festival but not knowing much about Daniel Kitson, the opening of his new show, After The Beginning, Before The End, bemused. On he wandered, shaven bald of head, geeky, bearded, wearing specs and a librarian-style brown jacket. He sat in a nondescript red chair at a small table with a cup of tea and pressed buttons on an electronic gizmo which began to burble sweet abstract electro bleeps.

Read more...

Eddie Izzard, Wembley Arena

Kate Bassett

Eddie Izzard is lining up his targets. He’s taking issue with dictatorial authority figures, with God, royals and priests, right-wingers and high-profile liars. These days, he doesn’t merely natter about the colour of his nail varnish, though that’s still in the mix. In his new solo show, Force Majeure - trumpeted as the most extensive comedy tour ever, taking him from Cardiff to Kathmandu - his transvestism is mentioned, but only en passant.

Read more...

Jimeoin, Queen's Hall, Edinburgh

graeme Thomson

No theme, no message, no set, no title. Northern Irish comedian Jimeoin is a beguilingly old-fashioned kind of standup. “Just jokes,” he told us at the beginning of his new show, and he was true to his word. His gift lies in mining the quirks of everyday life for points of universal recognition, whether it’s the devilish business of refilling the ice tray, changing bin bags, bringing in the shopping, or why you’ll never see a busy man eating an ice cream.

Read more...

The South Bank Show: Tim Minchin, Sky Arts 1

Tom Birchenough

The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten what exactly we admire him for these days so varied has been his decade-long career been, through satire, rock, musical comedy, stage performance, to co-creator of the RSC transfer-spectacular Matilda that's now storming Broadway then this was a good reminder.

Read more...

Paul F Tompkins, Soho Theatre

Veronica Lee

Paul F Tompkins has been lauded by Rolling Stone magazine and the Huffington Post, both for his observational stand-up and his podcasts. But for someone praised for a very modern form of entertainment, he strikes a rather old-fashioned figure when he comes on stage. Three-piece suit, shiny tie, watch fob in his waistcoat pocket, big hair - it's like he's channelling the late, great Dave Allen.

Read more...

The Mimic/Anna & Katy, Channel 4

Jasper Rees

It’s a truism of the impersonator’s art that those who can do other voices have none of their own. On Parkinson, Peter Sellers couldn’t even come down the staircase as himself. When at the end of the show Mike Yarwood said, “And this is me!” a nation switched off. The idea behind The Mimic, starring the remarkable Terry Mynott, is that it accepts the truism as truth.

Read more...

Will Franken, Soho Theatre

Veronica Lee

Will Franken is an odd-bod. The American - Missouri-born, now a San Francisco resident - is a character comic and impressionist, but not in the way we understand a Rory Bremner or an Alistair McGowan. He “does” famous people, for sure, but these are fleeting impersonations in a wonderfully free-flowing affair that weaves swiftly between stories and builds an hour of increasingly absurdist humour.

Read more...

Harry Hill, Cliffs Pavilion, Southend-on-Sea

Veronica Lee

There must be something about doing a medical degree. A steady stream of medics - including Jonathan Miller, Graham Chapman, Graeme Garden and Paul Sinha - have hung up their stethoscopes to plough a furrow in comedy (Phil Hammond, meanwhile, manages to combine the two careers).

Read more...

Best of 2012: Top 10 Comedy DVDs

Veronica Lee

There are oodles of comedy DVDs released for the Christmas market - here's a selection of the best.



Dara Ó Bríain
Craic Dealer

Read more...

Pages

 

latest in today

Taylor Swift, Wembley Stadium review - the Eras Tour lights...

Unless you were around when The Beatles toured America in the mid-1960s, it’s doubtful you've heard anything like this. In 40 years of extensive...

Strike: An Uncivil War review - shame of the nation

Forty years later, they have haggard faces, grey hair if any, and sorrowful expressions tinged with incredulity at the outrages perpetrated...

Album: Linda Thompson - Proxy Music

She has one of the most distinctive voices in folk and contemporary British music, impossible to forget once heard, and impossible to ignore. Even...

Bartlett, Fantasia Orchestra, Fetherstonhaugh, Proms at St J...

Any programme featuring Gershwin’s top large-scale works might tend to the “pops” side. Bernstein’s West Side Story Overture and even the...

My Father's Fable, Bush Theatre review - hilarious and...

Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the...

Blu-ray: Army of Shadows

One of those rare films that leaves you speechless after the closing credits, Jean-Pierre Melville’s Army of Shadows (L'Armée des...

Giulio Cesare, Glyndebourne review - every number a winner f...

How much better can a classic get? Sebastian Scotney more or less asked the same question on theartsdesk the last time Giulio...

Kelly Clancy: Playing with Reality - How Games Shape Our Wor...

For a couple of decades, the free video game America’s Army was a powerful recruitment aid for the US military. More than a shoot-em-up,...

Album: Madeleine Peyroux - Let's Walk

Madeleine Peyroux made her name with her second album, 2004’s Careless Love. It consists almost completely of cover versions, delivered...

Music Reissues Weekly: The Cryin’ Shames - Please Stay, Do T...

Liverpool’s The Cryin’ Shames were responsible for two of mid-Sixties Britain’s most striking single’s tracks. The February 1966 top side “Please...