fri 18/04/2025

Comedy Reviews

What Would Beyoncé Do?!, Soho Theatre

Jasper Rees

The idea of the celeb as fictional life coach is not new. In Play It Again, Sam Humphrey Bogart dispenses tips on wooing to Woody Allen’s schlemiel. Eric Cantona offers gnomic pearls to a put-upon Man U fan in Looking for Eric. And then there’s the altogether more category-resistant Being John Malkovich. But they’re all up on the big screen.

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Rob Newman, Little Angel Theatre

Veronica Lee

There's a quite a contrast between the 12,000-seat Wembley Arena in 1993 where, with the help of his erstwhile writing and performing partner David Baddiel, Rob Newman “invented” comedy as rock 'n' roll, and tonight's venue, a bijou children's puppet theatre seating 100 patrons. But then Newman - Robert Newman to those who buy his novels - is doing rather different comedy these days.

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Nina Conti, Soho Theatre

Veronica Lee

Ventriloquism, once a staple of music hall and variety theatre, has rather gone out of fashion. More mature readers - or students of the form - may be familiar with names such as Edgar Bergen and Charlie McCarthy, Shari Lewis and Lambchop or Ray Alan and Lord Charles, but they are all decades gone from our stages and television screens. Nina Conti is now one of just a few vent acts to have a popular following, and she's reinventing the form.

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Daniel Kitson, Theatre Royal, Brighton

Thomas H Green

Aware I was going to see a stand-up comedian at the Brighton Festival but not knowing much about Daniel Kitson, the opening of his new show, After The Beginning, Before The End, bemused. On he wandered, shaven bald of head, geeky, bearded, wearing specs and a librarian-style brown jacket. He sat in a nondescript red chair at a small table with a cup of tea and pressed buttons on an electronic gizmo which began to burble sweet abstract electro bleeps.

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Eddie Izzard, Wembley Arena

Kate Bassett

Eddie Izzard is lining up his targets. He’s taking issue with dictatorial authority figures, with God, royals and priests, right-wingers and high-profile liars. These days, he doesn’t merely natter about the colour of his nail varnish, though that’s still in the mix. In his new solo show, Force Majeure - trumpeted as the most extensive comedy tour ever, taking him from Cardiff to Kathmandu - his transvestism is mentioned, but only en passant.

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Jimeoin, Queen's Hall, Edinburgh

graeme Thomson

No theme, no message, no set, no title. Northern Irish comedian Jimeoin is a beguilingly old-fashioned kind of standup. “Just jokes,” he told us at the beginning of his new show, and he was true to his word. His gift lies in mining the quirks of everyday life for points of universal recognition, whether it’s the devilish business of refilling the ice tray, changing bin bags, bringing in the shopping, or why you’ll never see a busy man eating an ice cream.

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The South Bank Show: Tim Minchin, Sky Arts 1

Tom Birchenough

The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten what exactly we admire him for these days so varied has been his decade-long career been, through satire, rock, musical comedy, stage performance, to co-creator of the RSC transfer-spectacular Matilda that's now storming Broadway then this was a good reminder.

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Paul F Tompkins, Soho Theatre

Veronica Lee

Paul F Tompkins has been lauded by Rolling Stone magazine and the Huffington Post, both for his observational stand-up and his podcasts. But for someone praised for a very modern form of entertainment, he strikes a rather old-fashioned figure when he comes on stage. Three-piece suit, shiny tie, watch fob in his waistcoat pocket, big hair - it's like he's channelling the late, great Dave Allen.

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The Mimic/Anna & Katy, Channel 4

Jasper Rees

It’s a truism of the impersonator’s art that those who can do other voices have none of their own. On Parkinson, Peter Sellers couldn’t even come down the staircase as himself. When at the end of the show Mike Yarwood said, “And this is me!” a nation switched off. The idea behind The Mimic, starring the remarkable Terry Mynott, is that it accepts the truism as truth.

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Will Franken, Soho Theatre

Veronica Lee

Will Franken is an odd-bod. The American - Missouri-born, now a San Francisco resident - is a character comic and impressionist, but not in the way we understand a Rory Bremner or an Alistair McGowan. He “does” famous people, for sure, but these are fleeting impersonations in a wonderfully free-flowing affair that weaves swiftly between stories and builds an hour of increasingly absurdist humour.

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