Classical music
Rachel Halliburton
The adrenalin was in full flow yesterday lunchtime at the Wigmore Hall as the dynamic young Mithras Trio delivered a vigorous, toned performance featuring Beethoven, Bridge and an electrifying new work by Joy Lisney. The trio, who have been together for just over five years, are part of Radio 3’s New Generation Artists scheme and dispatched the repertoire with an intensity and expressive range that was often as beguiling as it was exhilarating.Frank Bridge’s Phantasie Piano Trio in C minor provided a tempestuous start to the concert, with a double forte opening that made it feel as if it Read more ...
David Nice
In precarious times, musical wonders never seem to cease – for now, at least. Who would have thought during lockdown that we’d be back so soon and so frequently to the kind of massive orchestra needed to play a cosmic blockbuster like Richard Strauss's Also sprach Zarathustra? Of the three live performances I’ve heard since September 2021, last night’s, the biggest and youngest (160 players aged 14 to 19), was also the freshest and most exciting.To hear young people in the National Youth Orchestra of Great Britain playing a supremely challenging work which used to be second nature to hardened Read more ...
graham.rickson
At the risk of sounding like a scratched record (or a cracked CD), it’s reassuring to know that you can still buy new recordings in physical formats. Granted, CDs do take up shelf space, but in most cases they sound better than most downloads and usually come with sleeve notes and texts. Pianist Beatrice Berrut’s Jugendstil (la dolce volta) contains the Swiss pianist’s transcriptions of movements from Mahler’s 3rd, 5th and 6th Symphonies and Schoenberg’s Verklärte Nacht. They’re highly effective, the “Tempo di minuetto” from the 3rd Symphony a folksy delight and No. 6’s “Andante moderato Read more ...
David Nice
While the call for livening up the concert format remains dubious – beyond unusual settings and a will to communicate, the rest is window-dressing – there’s always a special buzz about festival-like concatenations of events. For that reason, four one- or two-day chamber spectaculars have stood out for me this year.The most innovative was Chamber Domaine’s Bach Brandenburgs Plus day at West Malling Abbey in Kent, masterminded by music@malling’s Thomas Kemp, violinist and conductor. The idea of matching each of the concertos with a new work using the special forces involved isn’t new, but this Read more ...
David Nice
Quite apart from the stunning range of colours and phrasing, Pavel Kolesnikov’s recitals always give you much more than the programme promises. A golden thread through shorter pieces has been one approach, but here he did something different – sailed for the deep waters only in three chameleonic masterpieces, but suggested the connections by unveiling an unnamed work he asked us to listen to in “metaphorical darkness”.In a short speech at the start of the second half before Kolesnikov began a tintinnabulation at extremes of the piano register with ripple effects in between, he told us how his Read more ...
Boyd Tonkin
St Mark’s shadow fell gloriously over the Wigmore Hall last night with a programme of Christmas music performed in, or inspired by, the great basilica of Venice. The Dunedin Consort braided festive works from pioneers who wrote for its grandly sonorous spaces – Gabrieli, Monteverdi, Grandi – with pieces by their German visitor and student Heinrich Schütz, culminating with his Christmas Story (1660).No one knows better than the Dunedins’ director John Butt how risky it is to posit historical “authenticity” for any interpretation of music composed four centuries or more ago (he wrote a Read more ...
graham.rickson
In Márta’s Garden Katharina Weber (piano) (Intakt)The Márta of the title of this solo piano album by many-faceted Swiss pianist, composer and teacher Katharina Weber (b. 1958) is Márta Kurtág (1927 -2019). Weber first got to know the Kurtágs in 1989, and stayed in dialogue with them for three decades. She has performed and taught their music extensively (two of her previous albums on Intakt include it), she visited them often in Hungary, and her own compositional practice has been influenced and mentored by them. This solo piano album both starts and finishes with a piece by Read more ...
David Nice
Across three and a half decades, John Eliot Gardiner’s 1987 recording of Bach’s Christmas Oratorio with his Monteverdi Choir and English Baroque Soloists spoiled one for live performances. Not that many of those weren’t equally fine and alive in different ways, but none I experienced gave us all six, equally glorious cantatas.It could all be done in a single sitting – the whole is still shorter than Handel's Messiah – but on the London leg of their latest European tour, Gardiner and Co kept us waiting in rapt anticipation for Parts Four to Six between Tuesday and Thursday evenings. The Read more ...
Bernard Hughes
At this of year there is always a good range of seasonal choral concerts on offer in London – and an audience for them all, weather and strikes permitting. But while I enjoy a canter through Carols for Choirs as much as anyone, I am perhaps more drawn to something offering some novelty. I was well-rewarded in this respect by Echo Vocal Ensemble and Friends in their programme “Chasing the Night” at Kings Place yesterday.The conceit was simple: celebrating midwinter music from around the world by travelling west from India to the USA, following the path of night as it moves across the globe. Read more ...
Boyd Tonkin
What do you do when your high-achieving ensemble has just been dealt a brutal, capricious blow, but you have the most joyfully festive work in the repertoire on your seasonal agenda? To say that the Britten Sinfonia came out with all trumpets (and timpani, and oboes d’amore) blazing would be the feeblest of understatements.Along with the singers of Polyphony, their performance of Bach’s Christmas Oratorio at the Barbican flung an exultant riposte back at the self-contradictory bureaucrats of Arts Council England. Last month, ACE stripped the Sinfonia of 100 per cent of its funding as a reward Read more ...
Rachel Halliburton
William Thomas has fast made an impact as a rapidly rising (or should that be descending?) star of the bass world. Though he has only recently graduated from the Guildhall School of Music and Drama, his awards include Winner of the Veronica Dunne International Competition and Winner of the Critics’ Circle Award for Young Talent.For those curious about what the fuss is, it’s clear from the first few notes that he has a tone so full and rich it makes you think of polished mahogany. Together with the acclaimed Scottish accompanist, Malcolm Martineau, he dispatched a programme of 19th and early Read more ...
Boyd Tonkin
Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill.For sure, the Finn – whose Violin Concerto Lisa Batiashvili played at the Royal Festival Hall last night – could never have conceived anything like the ecstatic, catastrophic epic of Mahler’s Sixth Symphony, which the Philharmonia under Lahav Shani brought home in grand style during this concert’s prolonged second half.Yet both partners in this odd coupling of works written within the same few years (1903-05 Read more ...