The Seckerson Tapes: The Elias String Quartet

The former Radio 3 New Generation Artists are embarking on a complete cycle of Beethoven's quartets

The vibrant Elias String Quartet are 14 years young, well established, and well respected on the international scene. Former BBC Radio 3 New Generation Artists and recipients of a Borletti-Buitoni Trust Award in 2010, they are at that major crossroads in any quartet's life when they embark upon a complete cycle of the Beethoven Quartets. Unusually the quartet have decided to chronicle their preparation and progress through a revealing website.

Further insights are offered with this audio podcast, in which Marie Bitlloch (cello) and Donald Grant (second violin) - one half of the quartet led by Marie's sister Sarah Bitlloch and completed by violist Martin Saving – talk about this testing odyssey. The conversation, interspersed with telling clips from two of the quartets, takes an honest and frank look, not just at the challenges thrown up by Beethoven's extraordinary "16" but at the quartet's working methods and democratic "first among equals" philosophy. It doesn't take an Old Testament prophet - their namesake - to predict that when the complete cycle is launched in earnest at the Sheldonian Theatre in Oxford in November the Elias String Quartet will be testing those who think they know the quartets well to think again.

Listen to The Seckerson Tapes: The Elias String Quartet

This text will be replaced

 

If you would prefer to download and listen offline, please download

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more classical music

From 1980 to 2025 with the West Coast’s pied piper and his eager following
A robust and assertive Beethoven concerto suggests a player to follow
Broad and idiosyncratic survey of classical music is insightful but slightly indigestible
British ballet scores, 19th century cello works and contemporary piano etudes
Specialists in French romantic music unveil a treasure trove both live and on disc
A pity the SCO didn't pick a better showcase for a shining guest artist
British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
Adès’s passion makes persuasive case for the music he loves, both new and old