Classical Reviews
Classical CDs Weekly: Brahms, Janáček, John HarleSaturday, 16 November 2013
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Boris Giltburg, Queen Elizabeth HallFriday, 15 November 2013
Among the diaspora of younger-generation Russian or Russian-trained pianists, there are at least four whose intellect and poetry match their technique. Three whose craft was honed at the Moscow or St Petersburg Conservatories – Yevgeny Sudbin, Alexander Melnikov and the inexplicably less well-feted Rustem Hayroudinoff – have made England their home. Read more... |
Schools' Prom, Royal Albert HallThursday, 14 November 2013
This year I’ve sat through Carrie Cracknell’s Wozzeck dry-eyed, seen a handful of Mimis take their last consumptive breath without so much as a tremor, even heard Shostakovich’s shattering Symphony No. 13 without obvious emotional distress. I was beginning to think I was getting irretrievably jaded, hardened; then a bunch of Welsh kids with ukuleles and a folk trio from the Highlands came along and everything changed. Read more... |
Jerusalem Quartet, Elisabeth Leonskaja, Wigmore HallWednesday, 13 November 2013
A previous visit to the Wigmore Hall saw the Jerusalem Quartet make headlines for all the wrong reasons, after political protestors disrupted the live-broadcast concert. Last night however all was mercifully calm and music-focused for the start of the first three-concert sequence in the quartet’s Shostakovich cycle, though audience members did have to brave the rather incongruous bouncers, lined up in their casual-with-just-a-hint-of-don’t-even-think-about-it chic outside the hall doors. Read more... |
Philip Glass/Steve Reich, Royal Festival HallMonday, 11 November 2013
The Southbank’s artistic director Jude Kelly was out in force at this penultimate weekend of The Rest is Noise festival, delivering little triumphalist, Ryan Air-like fanfares, reminding us how pioneering they had been to programme composers such as Igor Stravinsky, Richard Strauss, Benjamin Britten and Philip Glass - composers who no one had ever heard of before they'd bravely decided to put them on. Read more... |
War Requiem, BBCSO, Bychkov, Royal Albert HallMonday, 11 November 2013
How many reviews of War Requiem do you want to read in Britten centenary year? This is theartsdesk’s fourth, and my second – simply because though I reckon one live performance every five years is enough, Rattle’s much-anticipated Berlin Philharmonic interpretation fell almost entirely flat, and I wanted to hear at least one good enough to move me to tears. Read more... |
Classical CDs Weekly: Dvořák, Xiayin Wang, Simon Thacker's Svara KantiSaturday, 09 November 2013
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Marc-André Hamelin, Wigmore HallTuesday, 05 November 2013
French-Canadian pianist Hamelin has the technique and the stamina to play anything, which is why the note-crazy, obsessive “Night Wind” Sonata of Nikolay Medtner buzzed around at the heart of his recital. But between the proud resonance of its many climaxes and the distant voices he showcased so effectively in his own Barcarolle – three movements rather than one, unexplained in a note which simply ignored it – there’s little delicacy in the middle ground. Read more... |
La Damnation de Faust, LSO, Gergiev, BarbicanMonday, 04 November 2013
Berlioz wanted to make the first arrival of his demon onstage unforgettable, with an extreme sound effect - violins and violas marked sul ponticello, strettissimo, starting fortissimo, with interjections from three trombones snarling in minor seconds. In last night's performance of La Damnation de Faust that moment was glossed over. It flashed past as if it had never happened. Read more... |
Mustonen, Nakariakov, BBCSO, Oramo, BarbicanSunday, 03 November 2013
This was Sakari Oramo's first concert with the BBC Symphony Orchestra since taking over as chief conductor. Of course he knows the orchestra well already, but it was important to make this a good ’un, and so it was. Read more... |
Brahms: The Symphonies, Orchestral works Gewandhausorchester /Riccardo Chailly (Decca)
Dvořák: Cello Concertos Steven Isserlis (cello), Mahler Chamber Orchestra/Daniel Harding (Hyperion)Pages
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