Kimon Daltas
Articles By Kimon Daltas
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Malpractice, ITV1, Series 2 review - fear and loathing in th...
Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and...
Romeo and Juliet, Shakespeare's Globe - swagger and viv...
Holsters, Stetsons and bluegrass music bring a distinctive flavour to this...
Two to One review - bank heist with a big catch
The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second...
Album: Arcade Fire - Pink Elephant
20 years on from their first appearance on record, the seventh long-player from...
Fake, ITV1 review - be careful what you wish for
The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....
theartsdesk Q&A: film director Déa Kulumbegashvili on he...
One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...
Music Reissues Weekly: John McKay - Sixes and Sevens
Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...
Pimpinone, Royal Opera in the Linbury Theatre review - farce...
Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...
Krapp's Last Tape, Barbican review - playing with the l...
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...