Kimon Daltas
Articles By Kimon Daltas
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
When the Light Breaks review - only lovers left alive
Grief takes unexpected turns over the course of a long Icelandic...
Blu-ray: Strange New Worlds: Science Fiction at DEFA
DEFA was East Germany’s state film studio, operating...
Dara Ó Briain, Soho Theatre Walthamstow review - master stor...
Dara Ó Briain’s has described his previous show So… Where Were We? – in which he describes his search for his birth...
Album: Anna Lapwood - Firedove
This album Firedove (Sony Classical), surely, has to be seen as part of a bigger story: that of organist, choir director and...
Batiashvili, LSO, Pappano, Barbican review - French and Poli...
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...
Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...
Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...
Faust, Royal Opera review - pure theatre in this solid reviv...
“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...
Mrs. Warren's Profession, Garrick Theatre review - moth...
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...
Mongrel review - deeply empathetic filmmaking from Taiwan
There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...