Classical Reviews
Concert Dansé, Symphony Hall, BirminghamMonday, 05 May 2014
On the back wall of Birmingham Symphony Hall’s great oval space, two musicians are poised on a glass balcony that gives the illusion of not being there at all. A small square of warm light picks them out, vivid against the hall’s darkness. So framed, Saint-Saëns’ gentle Prière for cello and organ keeps its intimacy even in that large space, the two instruments blending into one equal sound that is clear, golden, and not too sweet. Read more... |
Shostakovich Cycle, Jerusalem Quartet, Wigmore HallThursday, 01 May 2014
Under what circumstances can Shostakovich’s Eighth String Quartet, the most (over)played of the 15, sound both as harrowing as it possibly can be and absolutely fresh? Well, the context helps: hearing it at the breaking heart of the fourth concert in the Jerusalem Quartet’s Shostakovich cycle gave it extra resonance with the works on either side of it. Read more... |
Tippett Retrospective, Osborne, Heath Quartet, Wigmore HallSunday, 27 April 2014
For those of us who’d held fast to the generalisation that Michael Tippett went awry after 1962, it seemed emblematic that pianist Steven Osborne and the Heath Quartet were never to meet in a concert of two halves. After all, didn’t Tippett’s music split and splinter into a thousand, often iridescent atoms after his second opera, King Priam? Its satellite piece, the Second Piano Sonata, seems to sit restlessly, and quite deliberately, on the fault line. Read more... |
Quartet for the End of Time, Village UndergroundThursday, 24 April 2014
Take a cushion or two among the beautiful young people gathered around the players – no Proms Arena crowd, this - pull up a chair or find your standing place; sit bolt upright, lie back, stretch your legs, tweet during the music if you like (an invitation thankfully declined). Read more... |
Miklós Perényi, András Schiff, Wigmore HallWednesday, 23 April 2014
Miklós Perényi makes the listener re-think how a cello should sound. Forget the huge tone of the Russians - think Rostropovich or Natalia Gutman, or the attention-grabbing of Americans or even the flamboyance of the French. No floppy hair, no vanity or mannerisms here. Perényi plays with simplicity and accuracy, but with phenomenal craft and musicality. He dosn't force the tone, yet knows exactly how to project right to the back row of the hall. Read more... |
Messiah at the Foundling Hospital, BBC TwoSunday, 20 April 2014
The last time the BBC dramatised the creation of a great musical work, it didn’t quite hit the spot. Eroica starred Ian Hart as Beethoven glowering at the heart of a drama which had rather less of a narrative through-line than the symphony it honoured. For Messiah at the Foundling Hospital, the BBC have gone to the other extreme and kept eggs out of the one basket. Read more... |
Classical CDs Weekly: Britten, Poulenc, Peter WhelanSaturday, 19 April 2014
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Uchida, LPO, Jurowski, RFHThursday, 17 April 2014
Vladimir Jurowski is a master of the through-composed programme. Yet at first this looked like a more standard format: explosive contemporary work (if 1966 can still be called “contemporary”) followed by popular concerto and symphony. Read more... |
Trifonov, LSO, Gergiev, BarbicanMonday, 14 April 2014
This concert brought to a close the London Symphony Orchestra's focus on Scriabin, in a series appropriately titled "Music in colour". The Third Symphony was partnered here with Messiaen’s early work Les offrandes oubliées and Chopin’s Second Piano Concerto – both in their own way richly colouristic works. Read more... |
Rancourt, Hallé, Elder, Bridgewater Hall, ManchesterSaturday, 12 April 2014
Soccer-mad Shostakovich’s score for a ballet about a Soviet football team visiting Western Europe, the world premiere of an oboe concerto by John Casken marking the 1914 centenary, and a rare semi-staged performance of Kurt Weill’s The Seven Deadly Sins made up this remarkable programme. Even Sir Mark Elder pronounced it “eccentric”. Read more... |
Britten to America – music for radio and theatre Hallé/Sir Mark Elder, Ex Cathedra/Jeffrey Skidmore Samuel West (narrator) (NMC)Pages
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