Classical Reviews
Classical CDs Weekly: Prokofiev, Smetana, ValentiniSaturday, 22 August 2015
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Seven, Ballett am Rhein/RSNO, Edinburgh PlayhouseFriday, 21 August 2015
When the Royal Opera House told Kenneth MacMillan that Mahler was unsuitable for ballet, he went – where else? – to Germany. Though the success of MacMillan's Lied von der Erde for Stuttgart Ballet led to its happy adoption into Royal Ballet repertoire, making ballet to Mahler still seems to draw German companies more than others – whether because the orchestras, audiences, or state subsidies are better, who knows? Read more... |
Prom 46: Znaider, Danish NSO, LuisiFriday, 21 August 2015
Praise be to Carl Nielsen. Praise always, of course, to one of the greatest symphonists, and happy 150th birthday (again), but gratitude on this occasion is due to a programme mostly lining up Nielsen works rare and familiar, for getting me to the Albert Hall to witness a surely unsurpassable performance of the Brahms Violin Concerto. Read more... |
Prom 45: Leonskaja, RPO, DutoitThursday, 20 August 2015
Drawing an audience of five and a half thousand in to listen intently is harder than pushing out into the vasts of the Albert Hall. Yet it’s what seems to work best in this unpredictable space, and last night masterful veterans Elisabeth Leonskaja and Charles Dutoit knew exactly what to do. Read more... |
Aimard, Philharmonia, Salonen, Usher Hall, EdinburghThursday, 20 August 2015
It was the first major casualty of the 2015 Edinburgh International Festival. Global superstar pianist Lang Lang was stuck overseas, forbidden from flying by his doctor because of an ear infection, and therefore unable to perform Bartók’s Second Piano Concerto with the Philharmonia Orchestra as planned (it had been an enticing prospect). But fear not, Lang Lang lovers – word is that he’ll be recovered in time for his solo recital of Bach, Chopin and Tchaikovsky on Friday 21 August. Read more... |
Prom 43: BBCSO, VänskäTuesday, 18 August 2015
Nearly 10 years ago to the day, an almost unknown 24-year-old Venezuelan conductor came a cropper when valiantly stepping in at short notice to conduct Sibelius’s Fifth Symphony at the Proms. (His name was Gustavo Dudamel. Whatever happened to him?) To pull off successful performances of Sibelius’s seven symphonies you need not just the ability to fire up players but the intellectual grasp to grip their elusive, fluid structures. Read more... |
Prom 42: Rachlin, BBCSSO, VolkovMonday, 17 August 2015
A second night of Sibelius symphonies at the Proms, packed to the rafters just like its predecessor. Exit Thomas Dausgaard, the tuba needed for the first two symphonies but not for the Third or – surprising given its pervasive darkness – the Fourth, and the air that had billowed around supremely supple performances. Read more... |
Prom 40: BBCSSO, DausgaardSunday, 16 August 2015
From Sakari Oramo’s riveting Nielsen symphonies at the Barbican to Thomas Dausgaard kicking off the Proms’ Sibelius cycle, the two Nordic immortals are well served in their 150th birthday year. The BBC Scottish Symphony Orchestra, whose reins Dausgaard takes over from the great Donald Runnicles in 2016, may not have the sheer heft of the Berlin Philharmonic strings we heard earlier this year in Rattle’s Sibelius. Read more... |
Currie, RSNO, Gardner, Usher Hall, EdinburghSaturday, 15 August 2015
On paper it looked like it would be very much a concert of two halves. James MacMillan’s energetic, glittering Second Percussion Concerto was unveiled last year and received its first UK performance in London last December, and it was getting its premiere in the composer’s homeland at this Edinburgh International Festival concert from its dedicatee, percussionist Colin Currie, and the Royal Scottish National Orchestra. Read more... |
Prom 38: Osborne, BBC Philharmonic, MenaFriday, 14 August 2015
Pairing Messiaen’s Turangalîla Symphony with John Foulds’ Three Mantras was a smart piece of programming: established modern classic and obscure novelty sharing an inspiration from Indian music and philosophy, and both perfectly designed for showing off a very fine orchestra to its best advantage. Read more... |
Prokofiev: Symphonies 4 (Op.47) & 5, Dreams Bournemouth Symphony Orchestra/Kiril Karabits (Onyx)Pages
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