Classical Reviews
theartsdesk at the Lammermuir FestivalMonday, 21 September 2015
It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends. Read more... |
Classical CDs Weekly: Bernstein, Fučík, Wartime ConsolationsSaturday, 19 September 2015
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Hofmann, Royal Danish Orchestra, Boder, Symphony Hall, BirminghamThursday, 17 September 2015
There’s just something about an opera orchestra when it’s let out of the pit. The Royal Danish Orchestra is more than that, of course – it makes much of its six centuries of history, and since its past members included John Dowland, Heinrich Schütz and Carl Nielsen, why wouldn’t it? Read more... |
Shibe, Egmont Ensemble, Wigmore HallTuesday, 15 September 2015
It was a sad coincidence that this Monday Platform “showcasing talented young artists” took place only weeks after the death in a road accident of Roderick Lakin, Director of Arts for 31 years at the Royal Over-Seas League which was last night's backer. For no concert could have been more sensitively tuned to a personal farewell. Overt melancholy only surfaced in the slow-movement theme of Brahms’s Second Piano Trio. But wouldn’t you want Dowland, Bach and Schubert at your memorial concert... Read more... |
Anne Boleyn's Songbook, Alamire, Sam Wanamaker PlayhouseMonday, 14 September 2015
Later this week David Skinner’s Alamire ensemble will collect the Early Music Gramophone Award for The Spy’s Choirbook, but last night it was the group’s follow-up album that was in the spotlight (or rather the candlelight) in a performance at the Globe’s Sam Wanamaker Playhouse. Anne Boleyn’s Songbook is the central panel of a planned trilogy of releases, with a story every bit as compelling as its predecessor. Read more... |
Dunedin Consort, Butt, Brunton Theatre, MusselburghMonday, 14 September 2015
It was, admitted the Lammermuir Festival’s co-artistic director James Waters, ‘a bit of an experiment’. And trying to recreate the fertile atmosphere – intellectual, musical and culinary – of a Leipzig coffee house from the 1730s, complete with Bach, coffee and cake, could so easily have become just an excuse to expand the waistline in the name of art. Or worse, a tempting tasty marketing ploy to bring in reluctant new audience members. Read more... |
Last Night of the Proms, BBCSO, AlsopSunday, 13 September 2015
“A rich and eclectic sequence of works” was the promise made in this evening’s concert programme. It certainly was that, with the Last Night festivities taking in new and old, well-known and obscure, plus a handful of celebrity soloists for good measure. The audience was predictably ebullient, generating the kind of atmosphere you only get at the Last Night of the Proms. Read more... |
Prom 75: The Dream of Gerontius, VPO, RattleSaturday, 12 September 2015
And so it ends – with angels and archangels and “heart-subduing melody”. The Proms might not officially finish till tomorrow night, but this penultimate concert is always the true close of the season, and what better or more fitting an ending – especially on this most poignant anniversary – than Elgar’s The Dream of Gerontius. Read more... |
Prom 73: VPO, BychkovFriday, 11 September 2015
Every Proms season needs a late-romantic rarity to envelop its audience in a bewitching spider-web of sound. This year’s candidate was of more than passing interest, the incandescent Second Symphony of Franz Schmidt, scion of the Austrian Empire – born in what is now Bratislava, three-quarters Hungarian, an embattled cellist in the Vienna Philharmonic during Mahler’s tenure. The orchestra now wants to do him proud again, thanks to the very centred championship of Semyon Bychkov. Read more... |
Prom 72: Kraggerud, BBCSO, LittonThursday, 10 September 2015
Queen Margrethe II of Denmark attended Nielsen’s 150th birthday concert earlier this year in Copenhagen’s glorious new concert hall. Her grandparents were there at the premiere of Nielsen’s blithest work, his cantata Springtime in Funen on 1921. Read more... |
Bernstein: Symphony No. 3 'Kaddish' Baltimore Symphony Orchestra/Marin Alsop (Naxos)Pages
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