sun 29/06/2025

Classical Reviews

Davies, BBCSO, Knussen, Barbican

Bernard Hughes

Last night’s concert at the Barbican focused on the theme of dreams and night-time, centred around the UK premiere of Dream of the Song by George Benjamin. But the one piece on the programme that did not fit with the theme stole the show. Stravinsky’s American-period masterpiece Symphony in Three Movements supplied the energy and rhythmic impetus lacking elsewhere.

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Royal, Wood, SCO, Spanjaard, Usher Hall, Edinburgh

Christopher Lambton

I expect that there will be a sense of mild disappointment within the ranks of the Scottish Chamber Orchestra that its great Brahms season did not come to quite the conclusion intended.

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LSO Futures, Roth, Barbican

Peter Quantrill

How can an orchestra perform the music of the future? This was the question posed by Francois-Xavier Roth, congenial maestro and charming educator, as the standard concerto for platform arrangers played out behind him on the floor of LSO St Luke’s. Roth had just offered one confident answer to the question, with the first performance of Dr Glaser’s Experiment by Darren Bloom.

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Liu, RLPO, Iorio, Philharmonic Hall, Liverpool

Glyn Môn Hughes

A double dose of Einaudi may not be the best programming idea. A world premiere in the first half and then a UK premiere in the second part of the concert was, perhaps, overegging the musical recipe. But add to that some Respighi and some Bernstein, with conductor Damian Iorio in charge, and things turned out not so bad after all.

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Virtuoso Violinists at the BBC, BBC Four

Marina Vaizey

Virtuoso Violinists was an hour of unalloyed informative pleasure that toured televised highlights of great violinists playing great music. Its painless excursion into the western classical canon reminded us why the BBC is the NHS of culture, and we delighted here in a guide who proved as accomplished a presenter as she is a performer of genius.

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Seong-Jin Cho, St John's Smith Square, London

Jessica Duchen

It’s always heartening to see a full house for a debut recital, though when expectations run so high, the stakes for the pianist can be dangerously raised. No worries at St John’s Smith Square, though, for Seong-Jin Cho.

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Classical CDs Weekly: Bach, Stravinsky, Tchaikovsky, Diana Ambache

graham Rickson


Bach: The French Suites Peter Hill (piano) (Delphian)

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Ibragimova, SCO, Krivine, Usher Hall, Edinburgh

David Kettle

It was to have been the culmination of principal conductor Robin Ticciati’s Brahms symphony cycle with the Scottish Chamber Orchestra. But with Ticciati laid up with a herniated disc, we’re told, it fell to the SCO’s principal guest conductor Emmanuel Krivine to step in at the last minute. What Ticciati would have made of the concert, and of the concluding Brahms Fourth, of course, we’ll never know – and it would be churlish to speculate.

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Vassallo, CBSO, Chauhan, Symphony Hall Birmingham

Richard Bratby

Funny thing, musical fashion. Most listeners would call Borodin’s Polovtsian Dances a popular classic – yet before tonight, I doubt they’d had a professional performance in Birmingham this century. Then there’s the case of Osvaldo Golijov. Remember him?

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Andsnes and Friends 2, Dulwich Picture Gallery

Gavin Dixon

Nature, nationalism, folk culture: the broad themes of Norway’s visual arts map easily onto its music. That has given Leif Ove Andsnes and his colleagues plenty of leeway in planning their musical tributes to the painter Nikolai Astrup.

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