wed 02/07/2025

Classical Features

Arvo Pärt Special 1: How Sacred Music Scooped an Interview

Simon Broughton

When I was asked 12 months ago by the BBC if I’d be interested in making a film on Henryk Górecki  (in Poland) and Arvo Pärt (in Estonia) for their Sacred Music series, I said yes, almost immediately. I’d been very impressed by the first series and liked the idea pairing of two composers writing religious music in the communist Eastern Bloc who have become almost cult figures in our secular age.

Read more...

Arvo Pärt Special 2: 'If you want to understand my music read this'

peter Quinn

My first encounter with Arvo Pärt’s music is indelibly etched on my consciousness. My piano teacher – the late Susan Bradshaw – placed a piece in front of me which, from a visual point of view alone, was immediately intriguing. Consisting of just two pages, what was most striking about the music was its utter simplicity: there was no time signature; no changes of tempo, key or dynamics; no textural variation.

Read more...

Philip Langridge, 1939-2010

David Nice

Britain's most communicative singing actor, lyric-dramatic tenor Philip Langridge has died at the age of 70. I offer a personal reminiscence, looking back on some of the greatest theatrical experiences of my life, and ask conductors Sir John Eliot Gardiner, Sir Mark Elder, Edward Gardner and Vladimir Jurowski as well as director Richard Jones what Langridge's example has meant to them.

Read more...

The Seckerson Tapes: Opera North's Howard Assembly Room

Edward Seckerson

Opera North's Howard Assembly Room (above) is no longer a well-kept secret. Lovingly restored to its former Victorian glory, this one-time annexe to the Grand Theatre, Leeds, has had a chequered history - even briefly servicing the furtive mackintosh brigade as a picture palace of the bluest persuasion. Now, though, it's been born again as a vibrant performance space. A new season of events under the umbrella title of VOICES is about to launch featuring acts as diverse as The Tallis Scholars,...

Read more...

The V&A is Wrong

Ismene Brown

I took advantage of one of the last "extra" opening days the V&A is offering for its musical instruments gallery to check out the fuss. Having been sitting on the fence - sympathetic to the pleas for historic fashion displays, though drawn by my background as a violist and pianist to the music side - I came out fuming.

Read more...

theartsdesk in Baku: Festival puts 'Azerbai-where?' on the map

Tom Birchenough

It’s a rare national culture festival that presupposes its audience will have no knowledge whatsoever of the culture concerned - or even be able to locate the country itself on a map. But that, we must assume from the “Azerbai-where?” promotional bus ads, was the starting point last November for organisers of the BUTA Festival of Azerbaijan Art, a series of very well-connected art and music events in London going on this month.

Read more...

Ottorino Respighi, the forgotten composer

william Ward Ottorino Respighi: more than picturesque

The latest subject in the BBC Four series of composer portraits by Christopher Nupen is Ottorino Respighi. One of the most unfairly neglected major composers of the first half of the 20th century, his reputation has suffered less from not being considered at all, but for having been confined to his trilogy of tone poems that evoke respectively the...

Read more...

The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig Urquhart

Edward Seckerson Conductor Leonard Bernstein at the Royal Festival Hall, London

Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who consistently pushed himself to the limit in the service of the music that drove him.

Read more...

The Seckerson Tapes: Craig Urquhart, Lenny's right hand man

Edward Seckerson Lenny Bernstein (left) with Craig Urquhart at the Berlin Wall

Read more...

The Seckerson Tapes: Craig Urquhart, Lenny's right hand man

Edward Seckerson Lenny Bernstein (left) with Craig Urquhart at the Berlin Wall

Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview with Edward Seckerson he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who consistently pushed himself to the limit in the service of the music that drove him.

The Bernstein Project is a ten-month celebration of Leonard Bernstein - one of the most charismatic men of the 20th...

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...