fri 21/02/2025

book reviews and features

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some hectic and intensive months when a disparate and...

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Shon Faye: Love in Exile review - the greatest feeling

India Lewis

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist Shon Faye’s second book Love in Exile? In...

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Philip Marsden: Under a Metal Sky review - rock and awe

Jon Turney

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides. In time, people discovered that some materials,...

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Jacqueline Feldman: Precarious Lease review - living on the edge

India Lewis

Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s Precarious Lease examines the beginning...

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Catherine Airey: Confessions review - the crossroads we bear

India Lewis

Anglo-Irish author Catherine Airey’s first novel, Confessions, is a puzzle, a game of family secrets...

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Best of 2024: Books

theartsdesk

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

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William J. Mann: Bogie & Bacall review - beyond the screen

John Carvill

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer,...

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Jeff Young: Wild Twin review - a box of tricks

India Lewis

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,...

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Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Rachel Halliburton

How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it...

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Jon Fosse: Morning and Evening review - after thoughts

Jack Barron

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive...

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latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The English Concert, Bezuidenhout, Mass in B Minor, St Marti...

If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book...

Light of Passage, Royal Ballet review - Crystal Pite’s cosmi...

“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in...

Otherland, Almeida Theatre review - a vivid, beautifully wri...

“Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a conversation where two former lovers...

I'm Still Here review - powerful tale of repression and...

Just like Britain’s ‘stiff upper lip’, that indominable spirit in the face of adversity,...

Album: Panda Bear - Sinister Grift

Sinister Grift is Panda Bear’s first album since his 2022 Reset collaboration with Spacemen 3’s Sonic Boom. Anyone anticipating...

Zero Day, Netflix review - can ex-President Robert De Niro s...

It seems that esteemed former US President George Mullen is...

Much Ado About Nothing, Theatre Royal Drury Lane review - th...

Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes. So there was a certain degree of...

Noah Davis, Barbican review - the ordinary made strangely co...

In 2013 the American artist, Noah Davis used a legacy left him by his father to create a museum of contemporary art in Arlington Heights, an area...

Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as...

The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought...

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