Visual Arts Reviews
Bunkers, Brutalism and Bloodymindedness: Concrete Poetry, BBC FourMonday, 24 February 2014
Is Brutalism brutal? Pugnacious? Uncouth? The name was coined by English academic and architecture writer Reynor Banham – more on him in a moment – as a play on the French béton brut (literally raw concrete) and the English “brute”, and hence was probably doomed from the start. Who, after all, can love an architectural style that sounds like it’s got all the grace of a troglodyte doing a plié before punching you in the face? Read more...
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The Edwardian Grand Designer, Channel 4Monday, 24 February 2014
Britain’s last castle, Drogo, may be only just over a century old, but repair work is going on in a big way – it’s currently the National Trust’s largest-scale restoration project. Read more... |
The Brits Who Built the Modern World, BBC Four / The Man Who Fought the Planners, BBC FourFriday, 21 February 2014
There really was astonishing talent on display in The Brits Who Built the Modern World (*****), as full a television panorama of the work of the five architects whose careers were under examination – Richard Rogers, Norman Foster, Nicholas Grimshaw, Michael Hopkins and Terry Farrell – as we’re ever likely to get. Read more... |
Berlinale 2014: Cathedrals of CultureFriday, 14 February 2014
Back at the Venice Biennale in 2010, the German film director Wim Wenders showed a 3D video installation titled “If Buildings Could Talk”. Read more... |
Richard Hamilton, Tate Modern /ICAWednesday, 12 February 2014
Some artists are diminished by major retrospectives, including those artists we consider great. A gap opens up between what you see and what you hear, which is why you can never judge work with your ears, or at least your ears and nothing else. Read more... |
Hockney: Printmaker, Dulwich Picture GallerySunday, 09 February 2014
David Hockney has been a printmaker for almost as long as he’s been a painter. Read more... |
Bailey's Stardust, National Portrait GallerySaturday, 08 February 2014
Several hundred photographs, of varying scales and most of them newly printed gelatin silver prints in superb tones of greys blacks and whites, take us into a world that has been subliminally familiar to us for nearly 50 years. Read more... |
Richard Deacon, Tate BritainWednesday, 05 February 2014
A retrospective is often a daunting prospect for all concerned, not least the poor visitor who must prepare for a gruelling marathon, visiting every forgotten cul-de-sac of an artist’s career. Read more... |
Making Painting: Helen Frankenthaler and JMW Turner, Turner ContemporarySunday, 02 February 2014
Helen Frankenthaler is often presented as being both a stepping stone between art movements and as an artist who fell – because such things matter in the tidy narratives of art history – between the cracks of various American isms. Frankenthaler, who made her name in the fertile New York art scene of the early Fifties and who died in 2011, found success and fame early, but then had the possible misfortune to be seen as a “transitional figure”. Read more... |
Martin Creed: What’s the point of it? Hayward GalleryWednesday, 29 January 2014
If you're suffering from the January blues, hurry to the Southbank Centre where Martin Creed’s exhibition is bound to make you smile. The man best known for winning the Turner Prize in 2001 by switching the lights on and off at Tate Britain has filled both floors of the Hayward Gallery with things that not only lift the spirits but reveal how to make magic from virtually nothing. Read more... |
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