sat 04/10/2025

Visual Arts Reviews

Matisse: The Essence of Line, Marlborough Fine Art

Marina Vaizey

The photographs of Henri Matisse at work show, over the years, a sober, suited, bearded and dignified figure; there is also a charming series of Matisse in a white coat, as though he were a doctor, sitting in his studio and thoughtfully examining in close-up a curvaceous naked young woman, his model. In his maturity, he looks almost like the stereotype of the upper middle class professional, the lawyer that he once almost was.

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Jake and Dinos Chapman: Come and See, Serpentine Sackler Gallery

Fisun Güner

Since “puerile” is an accusation often levelled at them, I often wonder what a grown-up Jake and Dinos Chapman would look like. What would they have to do to enact the transformation? And what would emerge on the other side?

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Sonica, Glasgow

Igor Toronyi-Lalic

At first it looked like a joke. But, as each muscle spasm, set off by an electric shock, did appear to produce a pained expression in the performer and a subsequent note, one slowly had to accept that these four string quartet players were indeed being electrocuted into performance. The Wigmore Hall, it wasn’t. Sonica, it certainly was.

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Britten 100: Birthday Concert, Union Chapel/A Life in Pictures, National Portrait Gallery

David Nice

“Translated Daughter, come down and startle/Composing mortals with immortal fire.” So W H Auden invokes heavenly Cecilia, patron saint of music, and it seems she did just that with Benjamin Britten, who set Auden’s text for unaccompanied choir and happened to be born on the saint’s day 100 years ago.

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Taylor Wessing Photographic Portrait Prize 2013, National Portrait Gallery

Florence Hallett

The precise nature of the photographic portrait has always been contested, and this year’s Taylor Wessing Prize only fuels the debate. While historically photographers have questioned the portrait’s ability to go beyond physical fact to reveal a subject’s character, this exhibition of shortlisted entries challenges the notion that a portrait should tell us about its subject at all, while also raising questions about the ethics of picture-taking.

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Painting Now: Five Contemporary Artists, Tate Britain

Fisun Güner

A chronological hang of its permanent collection instead of the once so modish thematic one, a show devoted entirely to contemporary painting, which was not at all modish until quite recently – things are definitely astir at Tate Britain.

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Georgians Revealed, British Library

Jasper Rees

The Georgians are in our marrow, and two of them in particular. The dawn of the age gave us Handel, who came over from Hanover with George I. Then at the sunset came the ever-exalted Jane Austen, who dedicated Emma in mock deference to the bloated Prince Regent. And in between there are all those elegant terraces in dark-brown brick, desirable survivors of the Industrial Revolution and the Luftwaffe.

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Masterpieces of Chinese Painting 700-1900, Victoria & Albert Museum

Marina Vaizey

Masterpieces of Chinese Painting 700-1900 is just what it says: a spectacular collection of nearly 80 banners, handscrolls, hanging scrolls and fans, gathered from major collections in China and Japan – many of which have never travelled west before – as well as the United States and Europe. 

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Louise Bourgeois, Scottish National Gallery of Modern Art

Caroline Boyle

There’s a giant spider in the Scottish National Gallery of Modern Art’s new exhibition of Louise Bourgeois. Her trademark spider and the fact that she lived to 98 – working into her final days – are probably two of the best-known things about her.

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Turner Prize 2013, Ebrington Barracks, Derry-Londonderry

Fisun Güner

This year, if you don’t live in Ireland, you’ll have to take a plane or a boat to see the Turner Prize exhibition. But the effort will be nicely rewarded, for Derry (or Londonderry/Doire – wherever your affiliations take you) is a beautiful city, and it’s also the first UK City of Culture, so there’s plenty going on.

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