mon 29/04/2024

Thomas H Green

Thomas H. Green's picture
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

CD: Mabel - High Expectations

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CD: Cross Record - Cross Record

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theartsdesk on Vinyl 51: Suicide, Soundgarden, Soft Cell, Stax, Spice Girls and more

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CD: Hot Since 82 - 8-track

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Blu-ray: Lords of Chaos

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CD: Thom Yorke - Anima

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theartsdesk on Vinyl 50: Depeche Mode, Black Midi, Primal Scream, U2, Nazareth, Quantic and more

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CD: Foy Vance - From Muscle Shoals

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CD: Kate Tempest - The Book of Traps and Lessons

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theartsdesk at Red Rooster Festival 2019 - bustling Suffolk stately home hoedown

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Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass

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CD: Morrissey - California Son

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Superhoe, Brighton Festival 2019 review - a darkly vital one-woman show

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Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

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Gravity & Other Myths: Backbone, Brighton Festival 2019 review - eyeboggling and very human circus show

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theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and more

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Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small scale shows, nurtured in offbeat places, are becoming all the rage in the...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...