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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Album: Sink Ya Teeth - Two

Thursday, 27 February 2020 Read more...

theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and more

Saturday, 15 February 2020 Read more...

Album: Huey Lewis and the News - Weather

Wednesday, 12 February 2020 Read more...

Brighton Festival 2020 launches with Guest Director Lemn Sissay

Tuesday, 11 February 2020 Read more...

Album: La Roux - Supervision

Thursday, 06 February 2020 Read more...

Album: Kesha - High Road

Wednesday, 29 January 2020 Read more...

Album: Electric Soft Parade - Stages

Friday, 10 January 2020 Read more...

Albums of the Year 2019: The Chemical Brothers - No Geography

Wednesday, 18 December 2019 Read more...

theartsdesk on Vinyl Christmas Special 2019

Tuesday, 17 December 2019 Read more...

theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and more

Monday, 16 December 2019 Read more...

Blu-ray: A Fistful of Dynamite

Sunday, 15 December 2019 Read more...

My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

Saturday, 07 December 2019 Read more...

CD: Liam Payne - LP1

Friday, 06 December 2019 Read more...

The Chemical Brothers, O2 review - eye-boggling monster rave-up

Monday, 02 December 2019 Read more...

CD: Pete Tong & HER-O - Chilled Classics

Thursday, 28 November 2019 Read more...

Iggy Pop, Barbican review - proto-punk legend goes jazz... sort of

Friday, 22 November 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...