fri 27/01/2023

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

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Charlie & Stan, Wilton’s Music Hall, review - a beguilin...

Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an...

Noises Off, Phoenix Theatre review - much revived classic fa...

There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce...

The Last Stage review - a former prisoner returns to the dea...

Seventy-eight years ago, on January 27,1945, Auschwitz concentration camp was liberated by the Red Army. The iconic images of the ovens with...

Women at War, Netflix review - contrasting stories entwine d...

A sprawling French-made drama set in the early days of the...

Album: Deathprod - Compositions

Ambient is everywhere now. After a quiet (lol) 2000s, when it rather disappeared into the cracks, perhaps tarred with the sense that the more...

Spain and the Hispanic World, Royal Academy review - a monum...

Treasures from the Hispanic Society Museum & Library are displayed as a monumental survey of...

Celtic Connections: Juliette Lemoine, Orchestral Qawwali Pro...

In full force again for 2023, Scotland’s premier folk...

Album: Låpsley - Cautionary Tales of Youth

Let me start by being pretentious and self-referential, spending ages doing that rather than reviewing the album. My theory is that most male...

Julie Cunningham & Co, Sadler's Wells review - a fi...

At the arthouse end of contemporary dance no one expects a packed house, still less serial packed houses for more than a week. Yet Sadler’s Wells...