fri 29/03/2024

Boyd Tonkin

Articles By Boyd Tonkin

Ibragimova, LSO, Stutzmann, Barbican review – grace and gravity

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Michael Hunter: The Decline of Magic review - when mockery killed witches

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Les Arts Florissants, Christie, Agnew, Barbican review – splendid Baroque knees-up

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Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!

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Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and geniality

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Orphée, English National Opera review – through a screen darkly

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Wegener, LPO, Jurowski, RFH review – on the revolutionary road to Mahler

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Caroline Moorehead: A House in the Mountains review – the women's war against Fascism

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Poster, Cabeza, Aurora Orchestra, Collon, Kings Place review – shock of the new

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Jung Chang: Big Sister, Little Sister, Red Sister review – China's century in three women's lives

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Andsnes, Oslo Philharmonic, Petrenko, Barbican review – polish and passion

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Verdi Requiem, LPO, Gardner, RFH review – beyond the big noise

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The Silver Lake, English Touring Opera review - shadows of the Weimar twilight

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Prom 72/3: Aurora Orchestra, Collon review – Berlioz not quite lost in showbiz

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William Dalrymple: The Anarchy review – masterly history of the first rogue corporation

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Prom 63: Wang, Staatskapelle Dresden, Chung review – private passions

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...