thu 25/04/2024

Boyd Tonkin

Articles By Boyd Tonkin

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supergroup to savour

Read more...

Fialkowska, BBCSO, Nesterowicz, Barbican review – a cliche-free night in Poland

Read more...

Serse, Fagioli, Il Pomo d'Oro, Barbican review - a night in counter-tenor heaven

Read more...

Australian Chamber Orchestra, Tognetti, Milton Court review - brilliantly hyper-active Mozart

Read more...

The Triumph of Time and Truth, Higginbottom, Kings Place review – time well spent, despite the words

Read more...

Porgy and Bess, English National Opera review - strength in depth on Catfish Row

Read more...

Hardenberger, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - new songs for an old glory

Read more...

Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short acts

Read more...

Dido and Aeneas, Academy of Ancient Music, Barbican review – prosthetic passions

Read more...

Prom 72, War Requiem, RSNO, Oundjian review - the pity, and the spectacle, of war

Read more...

Prom 67, Boston Symphony Orchestra, Nelsons / Prom 68, Berlin Philharmonic, Petrenko review - frenzy and finesse

Read more...

h 100 Awards: Publishing and Writing - other stories, other voices

Read more...

Prom 43, Batiashvili, West-Eastern Divan Orchestra, Barenboim review – from Russia with love

Read more...

Prom 42, Buniatishvili, Estonian Festival Orchestra, Järvi review – bright lights from the North

Read more...

Prom 40, Academy of St Martin in the Fields, Bell review - tea-time treats with wit and dash

Read more...

Prom 37, Orchestra dell'Accademia Nazionale di Santa Cecilia, Pappano review – order, and delight, out of chaos

Read more...

Pages

latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...