tue 15/04/2025

Boyd Tonkin

Articles By Boyd Tonkin

Global fiction: the pick of 2018

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Bostridge, Pappano, Barbican review - a tough but thrilling march across the battlefield

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theartsdesk in Gothenburg - Wagner's gold turns green

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Matthew Dennison: Eternal Boy review – the banker who stayed forever young

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Daša Drndić: Belladonna review - a tragicomic journey into Europe's darkness

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Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supergroup to savour

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Fialkowska, BBCSO, Nesterowicz, Barbican review – a cliche-free night in Poland

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Serse, Fagioli, Il Pomo d'Oro, Barbican review - a night in counter-tenor heaven

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Australian Chamber Orchestra, Tognetti, Milton Court review - brilliantly hyper-active Mozart

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The Triumph of Time and Truth, Higginbottom, Kings Place review – time well spent, despite the words

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Porgy and Bess, English National Opera review - strength in depth on Catfish Row

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Hardenberger, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - new songs for an old glory

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Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short acts

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Dido and Aeneas, Academy of Ancient Music, Barbican review – prosthetic passions

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Prom 72, War Requiem, RSNO, Oundjian review - the pity, and the spectacle, of war

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Prom 67, Boston Symphony Orchestra, Nelsons / Prom 68, Berlin Philharmonic, Petrenko review - frenzy and finesse

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The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but...

Mahler's Ninth, BBC Philharmonic, Gamzou, Bridgewater H...

There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but the one who we heard...

Manhunt, Royal Court review - terrifyingly toxic masculinity...

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Album: Rhiannon Giddens & Justin Robinson - What Did the...

At a time when the powers that sadly be in America are trying their damnedest to erase and rewrite history, the latest release from Rhiannon...