thu 17/07/2025

Boyd Tonkin

Articles By Boyd Tonkin

Australian Chamber Orchestra, Tognetti, Milton Court review - brilliantly hyper-active Mozart

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The Triumph of Time and Truth, Higginbottom, Kings Place review – time well spent, despite the words

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Porgy and Bess, English National Opera review - strength in depth on Catfish Row

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Hardenberger, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - new songs for an old glory

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Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short acts

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Dido and Aeneas, Academy of Ancient Music, Barbican review – prosthetic passions

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Prom 72, War Requiem, RSNO, Oundjian review - the pity, and the spectacle, of war

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Prom 67, Boston Symphony Orchestra, Nelsons / Prom 68, Berlin Philharmonic, Petrenko review - frenzy and finesse

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h 100 Awards: Publishing and Writing - other stories, other voices

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Prom 43, Batiashvili, West-Eastern Divan Orchestra, Barenboim review – from Russia with love

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Prom 42, Buniatishvili, Estonian Festival Orchestra, Järvi review – bright lights from the North

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Prom 40, Academy of St Martin in the Fields, Bell review - tea-time treats with wit and dash

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Prom 37, Orchestra dell'Accademia Nazionale di Santa Cecilia, Pappano review – order, and delight, out of chaos

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Prom 28, National Youth Orchestra, Benjamin review - micro-music from a mega-band

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Prom 16, Elder, Hallé – reason yoked to magic on one enchanted evening

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Stella Tillyard: The Great Level review – reason and passion in the Fens and Virginia

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That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...