alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...
Blue Road: The Edna O'Brien Story - compelling portrait...
“I was born with the ability and the demon to write. I have been punished for it constantly.” Written and directed by Sinéad O’Shea, this...
Album: Ronny Graupe's Szelest - Newfoundland Tristesse
In this new album, three top-flight musicians based in Berlin, guitarist Ronny Graupe, Lucia Cadotsch (voice) and Kit Downes (piano) work...
Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...
The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...
Album: Gigspanner Big Band - Turnstone
For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...
All the Happy Things, Soho Theatre review - deep feelings, b...
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...
London Choral Sinfonia, Waldron, Smith Square Hall review -...
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...
The Forsythe Programme, English National Ballet review - bra...
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...