alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Jerry’s Girls, Menier Chocolate Factory review - just a para...
Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...
Punt and Dennis, The Marlowe, Canterbury review - satire and...
Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...
Album: Jihye Lee Orchestra - Infinite Connections
Brooklyn-based composer and bandleader Jihye Lee’s story really does take quite some telling. Having been an indie pop singer in her native...
Furiosa: A Mad Max Saga review - just as mad without Max
In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...
The Beach Boys, Disney+ review - heroes and villains and goo...
It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...
Album: Twenty One Pilots - Clancy
If there is one positive of the past decade, it must be the growing openness with...
Richard III, Shakespeare's Globe review - Michelle Terr...
There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...
Kolesnikov, Wigmore Hall review - celestial navigation throu...
Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...
Between Riverside and Crazy, Hampstead Theatre review - race...
It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at...