alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...
Lollipop review - a family torn apart
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...
Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...
Album: The Young Gods - Appear Disappear
Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...
Jane Austen Wrecked My Life review - persuading us that the...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...
The King of Pangea, King's Head Theatre review - grief...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...
Album: Sam Binga - Sam Binga Presents Club Orthodontics
When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...
Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...
Hespèrion XXI, Savall, QEH review - an evening filled with l...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...