tue 29/04/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Homeland, Series 7 Finale, Channel 4 review - Russian roulette

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Andrew Haigh: 'In the end you have to be able to make the decisions' - interview

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Jeff Beck: Still on the Run, BBC Four review - a legend without portfolio

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Westworld, Series 2, Sky Atlantic review - big trouble in synthetic paradise

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Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter end

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The City and the City, BBC Two review - detection in four dimensions

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Deep State, Fox review - secrets, lies and spies

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Sweet Country review - hell in the Outback

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In the Long Run, Sky 1 review - bright start for multiracial comedy

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Ready Player One review - Spielberg goes back to the future

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The Good Fight, Series 2, More4 review - the longer they do it, the better it gets

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The Durrells, Series 3, ITV review - a winter warmer from Corfu

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Annihilation, Netflix review - not quite a sci-fi masterpiece

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Below the Surface, BBC Four review - terror in Copenhagen

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You Were Never Really Here review - a wild ride to the dark side

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Red Sparrow review - from Russia with lust

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Help to give theartsdesk a future!

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Much Ado About Nothing, RSC, Stratford - Messina FC scores o...

Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....

Zsuzsanna Gahse: Mountainish review - seeking refuge

Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....

DVD/Blu-ray: All We Imagine is Light

All We Imagine as Light focuses on the lives of three women in contemporary...

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...

I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...

Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...

Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

Album: Car Seat Headrest - The Scholars

Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...

Music Reissues Weekly: The Hamburg Repertoire

The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...