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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter end

Sunday, 08 April 2018 Read more...

The City and the City, BBC Two review - detection in four dimensions

Saturday, 07 April 2018 Read more...

Deep State, Fox review - secrets, lies and spies

Friday, 06 April 2018 Read more...

Sweet Country review - hell in the Outback

Wednesday, 04 April 2018 Read more...

In the Long Run, Sky 1 review - bright start for multiracial comedy

Friday, 30 March 2018 Read more...

Ready Player One review - Spielberg goes back to the future

Thursday, 29 March 2018 Read more...

The Good Fight, Series 2, More4 review - the longer they do it, the better it gets

Friday, 23 March 2018 Read more...

The Durrells, Series 3, ITV review - a winter warmer from Corfu

Monday, 19 March 2018 Read more...

Annihilation, Netflix review - not quite a sci-fi masterpiece

Thursday, 15 March 2018 Read more...

Below the Surface, BBC Four review - terror in Copenhagen

Sunday, 11 March 2018 Read more...

You Were Never Really Here review - a wild ride to the dark side

Thursday, 08 March 2018 Read more...

Red Sparrow review - from Russia with lust

Friday, 02 March 2018 Read more...

Save Me, Sky Atlantic review - it's grim down south

Thursday, 01 March 2018 Read more...

The Light of the Moon, Amazon Prime review - coping with the unthinkable

Wednesday, 28 February 2018 Read more...

Marcella, Series 2, ITV review - more twisted tales of detection

Tuesday, 27 February 2018 Read more...

Tony Banks: ‘You either do it by diplomacy or you do it by violence’ - interview

Friday, 23 February 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...

theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical F...

VINYL OF THE MONTH

Frank From Blue Velvet I Am Frank (Property of the Lost) + Column258...

Abstract Erotic, Courtauld Gallery review - sculpture that...

The Courtauld Gallery’s Abstract Erotic is a...

Kieran Hodgson, Soho Theatre review - a love affair soured b...

Kieran Hodgson is known to television viewers from Two Doors Down and to online fans for his spoofs of TV dramas; but comedy...

Outrageous, U&Drama review - skilfully-executed depictio...

If somebody submitted a treatment for a new costume drama series set in the...