sat 25/01/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Lucky review - fabled character actor stars in his own obituary

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Black Earth Rising, BBC Two review - Blick's new blockbuster

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h 100 Awards: Broadcast - TV's national treasures

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The Negotiator review - Jon Hamm shines in Beirut-based thriller

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Age Before Beauty, BBC One review - mid-life makeover madness

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Hidden, Series Finale, BBC Four review - a whydunnit, not a whodunnit

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The Bletchley Circle: San Francisco, ITV review - the ludicrous in search of the preposterous

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Mission: Impossible - Fallout review - brilliant summer blockbuster

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Who Is America?, Channel 4 review - sudden return of Sacha Baron Cohen

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Unforgotten, Series 3, ITV review - death on the M1

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Sharp Objects, Sky Atlantic review - Amy Adams battles her demons

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Whitney review - superstar's dismal demise revisited

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Eric Clapton: A Life in 12 Bars, BBC Two review - blues, booze and dues

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Adrift review - lost at sea

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Sicario: Day of the Soldado review - violent, explosive and nihilistic thriller

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Reporting Trump's First Year: the Fourth Estate, BBC Two review - all hands on deck at the Gray Lady

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

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There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

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In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...

Album: ALT BLK ERA - Rave Immortal

The utopian messiness of 1990s dance music culture is now so far...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...

Album: Ludovico Einaudi - The Summer Portraits

Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...