tue 29/04/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

Read more...

Das Boot, Sky Atlantic review - menacing drama on land and sea

Read more...

theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

Read more...

Green Book review - is this Oscar hopeful too good to be true?

Read more...

Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

Read more...

Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

Read more...

Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

Read more...

Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

Read more...

The Favourite review - scintillatingly warped portrait of the court of Queen Anne

Read more...

Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

Read more...

Torvill & Dean, ITV review - skating into history

Read more...

The Dead Room, BBC Four review - ghosts at the microphone

Read more...

Watership Down, BBC One review - run rabbit run

Read more...

Springsteen on Broadway, Netflix review - one-man band becomes one-man show

Read more...

Lizzie review - murder most meticulous

Read more...

Sir Cliff Richard: 60 Years in Public and in Private, ITV review - bachelor boy bounces back

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: director Leonardo Van Dijl discusses hi...

"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose pyschologiical drama Julie Keeps Quiet has...

Dealer's Choice, Donmar Warehouse review - fresh take o...

Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...

Much Ado About Nothing, RSC, Stratford - Messina FC scores o...

Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....

Zsuzsanna Gahse: Mountainish review - seeking refuge

Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....

DVD/Blu-ray: All We Imagine as Light

All We Imagine as Light focuses on the lives of three women in contemporary...

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...

I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...

Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...

Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

Album: Car Seat Headrest - The Scholars

Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...