sat 25/01/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Last Kingdom, Series 3, Netflix review - idylls of the king

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Overlord review - nightmares in Normandy

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Chilling Adventures of Sabrina, Netflix review - girl power goes supernatural

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Strangers, Series Finale, ITV review - Eastern promise goes unfulfilled

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John Fogerty / Steve Miller Band, BluesFest 2018 review - keep on chooglin'

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Berlin Station, More 4 review - spooks in Euroland

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LFF 2018: The Favourite review - Queen Anne's bizarre love triangle

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LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and Jackman

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Informer, BBC One review - keeping tabs on terror

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LFF 2018: Colette review - zinging with zeitgeisty relevance

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First Man - Neil Armstrong's giant leap

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The Cry, BBC One review - every parent's nightmare

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A Discovery of Witches, episode 2, Sky 1 review - when the sorceress met the vampire

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Never Here review - conceptual art may damage your health

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Strangers, episode 2, ITV review - conspiracy theories multiply

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Killing Eve, BBC One review - the dying game

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

An Interrogation, Hampstead Theatre review - police procedur...

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...

Album: ALT BLK ERA - Rave Immortal

The utopian messiness of 1990s dance music culture is now so far...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...

Album: Ludovico Einaudi - The Summer Portraits

Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...