Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One). He is a regular obituarist for The Guardian.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…
Just a year after the first series, Your Friends & Neighbours returns to titillate and amuse us with the escapades of the moneyed but…
Science on stage is quite the thing at the moment with a revival of Michael Frayn’s Copenhagen opening at Hampstead Theatre next week and…
Mountain Call from ECM – it consists of recordings made in Prague in very different contexts and settings between 2003 and 2010 – is a…
If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…
There was something incongruous about seeing Basement Jaxx in a venue best known for regularly playing host to the likes of Scotland’s…
About a dacade ago and then again last year, Seattle’s proto-grungers, Melvins and Birmingham’s grindcore originators, Napalm Death hit the…
François Ozon’s film of Albert Camus's The Stranger, one of the most iconic works of French existential literature, is as well-paced and…
The baldness of the titles the writer-director Stefan Golaszewski gives his TV series — Him & Her, Mum, Marriage and now Babies — is a…