We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

For the final concert in their 80th birthday season, the Philharmonia swept us into the great outdoors. Three works imbued with the forces…

Puck is an assassin in a tutu and Theseus is a murderous thug. In Headlong's deliciously macabre dramatisation of A Midsummer Night’s Dream…

The Last Dinner Party’s second album, From the Pyre, is one of this year’s most enjoyable. Its lead single, “This is the Killer Speaking”,…

You can add to “Would The Taming of the Shrew still be staged, were it not written by William Shakespeare?” the question, “Would My Fair…

Axis: Bold As Love, the second album by The Jimi Hendrix Experience, was released in the UK during the first week of December 1967. In…

Whoever thought of creating an exhibition comparing the brilliance of JMW Turner with that of John Constable deserves a medal – maybe Tate…

Having given us Peter Jackson’s monster documentary series The Beatles: Get Back four years ago, Disney have returned to the Moptop well to…

Spies are basically actors. They create fake personas in order to achieve their ends. But the difference is that they do this 24/7. All the…

When Yard Act headlined the O2 Academy in Glasgow back in 2023, they might have thought returning there as a support act would indicate a…