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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
In its heyday, Rodney Ackland’s 1935 play The Old Ladies, adapted from a 1924 novel by Hugh Walpole, was a favourite with doyennes of the…
The Kurdish singer Aynur opened her current European tour in Bristol, presenting music that's rooted in ancient tradition but explores…
Jose Gonzales is one of those musicians who is well known without many recognising it. Until that is, someone plays his most known track “…
After Barber Shop Chronicles comes a female slice of pan-African life, set in Harlem in July 2019, at the fag end of Donald J Trump’s first…
Blackpool Cool is the third and last album by Glasgow’s Head. Issued in 1977 on the band’s own Head Records label, it was preceded by 1973’…
The vertigo of lawlessness in Stalin’s Russia carries contemporary resonance in Sergei Loznitsa’s latest Soviet parable. As a Russian…
“Fear death by water,” says the fortune-teller in TS Eliot’s The Waste Land. There were a few moments in Natalie Abrahami’s new production…
Was it a risk to attend a third Irish Baroque Orchestra Matthew Passion in as many years, given that previous indelible interpretations had…
Body & Soul, English National Ballet, Sadler's Wells review - a surefire hit and an absolute plonker
If it were true, as Timothée Chalamet has said, that ballet as an art form has become a museum, the job of running a national ballet…