tv
Boy George and Culture Club: From Karma to Calamity, BBC FourThursday, 12 April 2018
The title signalled what was coming so clearly, it may as well have been called When Bands End Badly: the two camps, the arguments and sniping and the eventual collapse of Culture Club’s US and UK tour to promote an album of new material. It’s hardly a surprise though – this is a band that, history shows, would have benefitted from the visible presence of an armed UN peacekeeping force. Read more...
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Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter endSunday, 08 April 2018
In the previous couple of episodes, some light began to seep into the subterranean gloom of the Copenhagen kidnappers, or at any rate onto their identities and motivations. Read more... |
The City and the City, BBC Two review - detection in four dimensionsSaturday, 07 April 2018
It’s difficult to grasp in your imagination, never mind filming it and putting it on TV. In China Miéville’s source novel, dramatised here by Tony Grisoni, the twin cities of Besźel and Ul Quoma exist side by side, and in some areas even overlap. However, citizens of either city are forbidden to see each other and must learn to “unsee” people, buildings or objects from the opposing one. Read more... |
Civilisations: First Contact, BBC Two review - David Olusoga goes for goldFriday, 06 April 2018
After the suave theatrical persuasions of Simon Schama and the earnest professorial shtick of Mary Beard, in episode six of Civilisations (BBC Two) it was the turn of David Olusoga, the third of the documentary's triumvirate of presenters. Read more... |
Deep State, Fox review - secrets, lies and spiesFriday, 06 April 2018
Fox is very keen to stress that Deep State is the first original production by its Europe & Africa division, the most obvious sign of which is that none of it was shot in New York or LA. Read more... |
Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclearMonday, 02 April 2018
Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For the latter, Ridley Scott reshot every scene which featured Kevin Spacey, subbing in Christopher Plummer. Read more... |
Arena: Bob Dylan - Trouble No More, BBC Four review - up close and personal with Gospel BobSaturday, 31 March 2018
Dylan’s Gospel years inspired and rankled in unequal measure – with the critical brickbats and audience boos often drowning out the strength and beauty of the impassioned musical ministries delivered by Dylan between 1979 and 1981, gathering around him his five-strong chorus of gospel singers, and a crack band... Read more... |
In the Long Run, Sky 1 review - bright start for multiracial comedyFriday, 30 March 2018
It’s quite bold to create a multiracial comedy set in Hackney in the early Eighties, a not especially amusing period of riots, the Falklands War and Thatcherism. Happily, Hackney boy Idris Elba has managed it with a wry eye and a light comic touch. Read more... |
Come Home, BBC One review - a drama of family disintegration, divided loyaltiesWednesday, 28 March 2018
A woman walks out on her husband and their three kids – two teens, one five-year-old - after 19 years of marriage. She doesn’t want custody. What could be so wrong with the man that she’s driven to such drastic action? Eleven months later, Greg (Christopher Eccleston, anguished but plucky, with a shaky Northern Irish accent) doesn’t seem to have the answer. Read more... |
Mum, BBC Two, series 2 finale review - the perfect way to goWednesday, 28 March 2018
Should Mum end here? There have been only two series on BBC Two, and it closed the second with all the characters poised for the next step. A third series has been commissioned, so there will be the opportunity to see what happens next for Cathy and Michael now they’ve hugged and, for the second time, held hands. In Spain they might even get round to kissing. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Guards at the Taj, Orange Tree Theatre review - miniature ma...
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