fri 28/02/2025

tv

Hip Hop Evolution, Sky Arts review - foundations of a revolution

Owen Richards

Comprehensively charting hip hop’s rise from the underground to the mainstream is no mean feat, but that’s exactly what Canadian MC Shad aims to do over four hour-long episodes. Originally shown in the US in 2016, and available in full on Netflix, Hip Hop Evolution has finally reached the British box via Sky Arts.

Read more...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Marina Vaizey

“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812.

Read more...

Manchester: The Night of the Bomb, BBC Two review - devastating account of the lottery of terror

Jasper Rees

“I thought she maybe had superpowers to go that high.” Emilia Senior, 12, watched her sister Eve, 15, thrown into the air by the force of the explosion.

Read more...

A Very English Scandal, BBC One review - making a drama out of a crisis

Adam Sweeting

There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in Paddington 2, and he’s brilliant in A Very English Scandal (BBC One) as smooth, treacherous Liberal leader Jeremy Thorpe.

Read more...

The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for Offred

Adam Sweeting

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that is The Handmaid’s Tale, where “Gilead” means not balm, but torture, terror, misery and misogyny.

Read more...

Innocent, ITV review - David Collins wants his life back

Adam Sweeting

Addressing the baying media on the steps of the courthouse after being acquitted of murdering his wife, for which non-crime he’d spent the last seven years in prison, David Collins (Lee Ingleby) was a bitter and angry man.

Read more...

Patrick Melrose, Sky Atlantic review - an olympiad of substance abuse

Adam Sweeting

Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy.

Read more...

The Bridge, BBC Two, series 4 review - Scandi saga is darker than ever

Jasper Rees

In the 1990s, which brought us Morse, Fitz and Jane Tennison, an idea took root that all television detectives must be mavericks. They needed to be moody, dysfunctional, addictive, a bit of an unsolved riddle. These British sleuths were all variations on a glum theme but the scriptwriters knew the limits. Make them suffer, but don’t put them through hell.

Read more...

The Woman in White, Series Finale, BBC One review - good-looking, but flat

Tom Birchenough

Much has been made of this adaptation of The Woman in White having an especial relevance for our times.

Read more...

Homeland, Series 7 Finale, Channel 4 review - Russian roulette

Adam Sweeting

In a manner uncannily reminiscent of last year’s Season 6, this latest edition of Homeland spent at least half the series trying to get warmed up for the dash to the tape over the final furlongs.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...

There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...

Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...

A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...

Bergerac, U&Drama review - the Jersey 'tec is born...

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...

A Knock on the Roof, Royal Court review - poignant account o...

The war in Gaza has been going since 7 October 2023  that’s about 15 months. But it’s strangely absent from British stages...

The Last Showgirl review - Pamela Anderson stars as a middle...

Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...

The Score, Theatre Royal Haymarket review - curious beast of...

Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...

Album: Abel Selaocoe - Hymns of Bantu

The musician Abel Selaocoe reaches out to the ancestors, African and European, continuing a journey that spans continents and centuries, an...

The Ferryman, Gaiety Theatre, Dublin review - Jez Butterwort...

Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real...

Helen Charlston, Sholto Kynoch, Temple Church review - fine...

Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and...