fri 29/08/2025

tv

Monroe, Series Finale, ITV1/ Rubicon, BBC Four

Adam Sweeting (Left to right) Sarah Parish, James Nesbitt and Tom Riley on the alert for flying one-liners in 'Monroe'

So Monroe reached the end of series one, and I still couldn't read what its tone was supposed to be. Some artsdesk readers have expressed enthusiasm for the theme tune, but I find its jogging Celtic jauntiness symptomatic of Monroe's wider problems. Obviously you can't expect too much from a bit of title music,  but surely it should give you a clue as to whether the show is a hard-hitting drama about life and death or a sitcom?

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If Walls Could Talk: The History of the Home, BBC Four

Fisun Güner Lucy Worsley: Engaging and jolly, and a tiny bit like Queenie in 'Blackadder'

I prefer "living room", but I have a friend who insists on "lounge". For some reason that probably goes deep into the psyche, I cringe at "sitting room". Same goes for "front room". As for "reception room", I’ve only ever seen that in the windows of estate agents. "Parlour", too, is a rarity, confined now to TV period dramas, which is exactly where "drawing room" seems to be heading (or perhaps I’m not mixing in the right circles). And anyone who calls it a "dining room" should surely be...

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Britain's Next Big Thing, BBC Two

Josh Spero Professor Richard Weston, purveyor of digital-print scarves (very now, darling), and Theo Paphitis

The talent show search - not for another star but for another field to devour - has reached its logical conclusion. Whereas most such shows - The X Factor, for example - are ostensibly about one skill or another as a pretext for marketing, Britain's Next Big Thing last night on BBC Two was a talent show about finding a merchandising opportunity. Artisans were given the chance to...

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The Great Estate: The Rise and Fall of the Council House, BBC Four

Veronica Lee Author and journalist Michael Collins with Terry Gooch, the first tenant of Thamesmead in 1968

In 2004 Michael Collins wrote a fascinating book, The Likes of Us: A Biography of the White Working Class. It was part memoir of his south-London childhood, part history of the area and part polemic. Two-thirds was an excellent read, a thoroughly researched and well-written account of the many generations of his family who had lived in Walworth, but the last third was a confused mess of an argument about what he saw as the plight of the modern-day white working class - marginalised...

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Lewis, ITV1

Adam Sweeting

Read Adam Sweeting's review of "Intelligent Design", the last-ever episode of Lewis

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Room at the Top, BBC Four

Jasper Rees Sex and the single male: Matthew McNulty as Joe Lampton in 'Room at the Top'

Another week, another northern novel about working-class libidos adapted for BBC Four. One is still catching one’s breath from the festival of copulation that was Women in Love. Spool forward a few decades - or a week in television scheduling terms - and roughly the same set of characters have reconvened for the next instalment of how's your father in Room at the Top. They’ve...

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The Kennedys, History

Adam Sweeting

It's unlikely that this soap-esque miniseries about America's most notorious political clan will stir up the kind of furore in Britain that has engulfed it in the States. Over there, merely to mention the Kennedys seems to conjure up visions of a lost Eden (well, Camelot) in which America stood square-jawed against the Russians, won the race to the moon and policed the planet with its colossal Arsenal of Democracy. Add in the horrific assassinations of JFK and his brother Bobby and the...

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The Crimson Petal and the White, BBC Two

Adam Sweeting

Playing a prostitute on film has been big career business for some very famous actresses, not least Jane Fonda, Elizabeth Taylor and Julia Roberts, but it hasn't worked quite the same way on TV. Unless you count Secret Diary of a Call Girl. Or Moll Flanders. Or The Devil's Whore. Though maybe not Five's brothel sitcom, Respectable.

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Campus, Channel 4

graeme Thomson 'Campus' follows the staff of Kirke University, led into battle by Jonty de Wolfe (Andy Nyman)

Let us begin with the nots. Fashionably weird is not enough. Edgy, whatever that means, is not enough. The repeated use of the word “vagina” is not enough and semi-improvised ensemble acting is not, in itself, quite enough. These were just some of the many not-thoughts which ran through my mind during the opening episode of the much-touted Campus. So what did picky me want? I wanted funny.

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Imagine: The Trouble with Tolstoy, BBC One

David Nice

Trouble? What trouble? There may be the odd reader who doesn't get past the Austerlitz sequence of War and Peace, and many who don't brave the master's last big novel questioning church and state, Resurrection, but that's their problem, not Tolstoy's. He is indeed - as Professor Anthony  Briggs, the other star of this two-part documentary, states - the God of the novel. As a man, he was troubled to his dying day, and eventually a trouble to the state.

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