fri 15/08/2025

tv

DCI Banks, Series 2, ITV1

Adam Sweeting

Charm, politeness and glittering repartee are clearly not considered important qualities for the Yorkshire-based policepersons who work alongside DCI Banks. TV coppers are rarely a barrel of laughs but for this bunch, spitting, snarling and glaring are their default modes of communication.

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Who Do You Think You Are? - Celia Imrie, BBC One

Jasper Rees

Isn’t the title a misnomer? Who Do You Think You Are? is the genealogical branch of the celebrity industry. It’s not really about who the subjects think they are: it’s who we think they are that counts. Inspecting the family trees of slebz is another way of confirming they are just like us. It’s the same as gawping at stars’ big bums in bikinis lovingly featured in the online Daily Mail’s sidebar of shame. Only nicer.

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Wonderland: I Was Once a Beauty Queen, BBC Two

Lisa-Marie Ferla

Even now, as revelation after revelation about what really went on backstage at Television Centre in the 1970s play out in the tabloids, there seems something almost wholesome about the heyday of the televised beauty pageant.

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Homeland, Series 2, Channel 4

Adam Sweeting

Surfing in on the back of six Emmy awards, Homeland's second season opened with a sizzling episode which banished any lingering doubts about the improbabilities of the ending of series one.

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Arena: The Beatles’ Magical Mystery Tour Revisited, BBC Two

Kieron Tyler

Being told that Magical Mystery Tour was a home movie is bit tiring. Self-evidently, The Beatles’ filmic response to the psychedelic experience was not that. They tried, and failed, to hire Shepperton Studios. Known artists like Ivor Cutler and The Bonzo Dog Doo-Dah Band were brought on board. Gavrik Losey, then hot from being an assistant director on Modesty Blaise, worked on it. Masses of extras were employed.

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Hunted, BBC One

Adam Sweeting

I daresay some of you, like theartsdesk, have been pining for the sadly departed Spooks. Its production company, Kudos, knows how you feel, and has rustled up this pacey, knotty and deliberately complicated thriller in its place.

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Best Possible Taste: The Kenny Everett Story, BBC Four

Kieron Tyler

Being dead – however recently – doesn’t necessarily mean reputations are immune from being rewritten or trampled on. Best Possible Taste was scheduled just before another channel’s documentary on Kenny Everett's fellow TV personality and BBC DJ Jimmy Savile, which raised allegations of his sexual assault of minors. Savile has been dead a year. Everett for seventeen.

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Ian Hislop's Stiff Upper Lip, BBC Two

Jasper Rees

Shouldn’t it be a stiff lower lip? When a person loses control of his or her emotions, and gives in to the instinct to blub, the telltale sign is not the unstiffening of the upper lip but the wobbling of the lower. In short, we have been saddled with a national characteristic that is an anatomical inaccuracy. It was an American who got it wrong in the late 19th century. But that’s not until next week.

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Monroe, ITV1

Thomas H Green

The screenwriter Peter Bowker won over viewers of all stripes with his wonderfully clever, musical serial Blackpool and sealed the deal with the chunky post-Iraq War drama Occupation. He demonstrated a deft narrative touch, an expert ability to spin a yarn and the right level of unpredictability to give him a reputation as something of a televisual auteur.

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Boardwalk Empire, Series 3, Sky Atlantic

Adam Sweeting

And so to the third series of HBO's panorama of the Prohibition era, where we joined the denizens of Atlantic City as they prepared to celebrate New Year's Day, 1923. In the finale of series two, we'd seen our chief protagonist, Nucky Thompson (Steve Buscemi), tying off some loose ends as he prepared to take the plunge into full-scale gangsterhood.

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