tv
Curtain: Poirot's Last Case, ITVThursday, 14 November 2013
Inevitably, an aura of fin-de-siècle gloom hung heavily over this final Poirot. So daunting was the prospect of terminating his 25-year career-defining stint as Belgium's finest (albeit imaginary) export that David Suchet insisted on shooting the last one before the others in the concluding series. Read more... |
Strange Days - Cold War Britain, BBC TwoWednesday, 13 November 2013
The images really do say it all in Strange Days – Cold War Britain. It’s a style of documentary making which puts archive material in first place, ahead even of presenter Dominic Sandbrook, who’s the sole screen presence here (no interviews, no talking heads). We can only wonder exactly how this challenging mêlée of material came together, but can be sure that archive producer Stuart Robertson had every bit as much input as director Rebecca Templar. Read more... |
Lindsey Buckingham Talks Music, Sky Arts OneMonday, 11 November 2013
Sometimes TV doesn’t need to be “challenging” or “groundbreaking” to be thoroughly worthwhile. The first episode of Sky Arts' new “…talks music” series saw the familar format of a live, seated interview applied to one of pop music’s highest achievers: Lindsey Buckingham of Fleetwood Mac. TV producer Malcolm Gerrie led proceedings in an attractive theatre in front of an audience of students. Most memorable were some blistering live demonstrations of Buckingham’s craft. Read more... |
Downton Abbey, Series 4 Finale, ITVSunday, 10 November 2013
So, another series down and what do we know? First up, until this final episode no one had died either by contractual agreement or Fellowesian godlike decree. We’ve had a rape, an unwanted pregnancy, a near abortion, a mysterious disappearance and a spot of senile dementia. Plus not one but two uppity colonial singers have drifted upstairs. Read more... |
Dracula, Sky Living / Bates Motel, UniversalFriday, 08 November 2013
The Dracula story has seen almost infinite permutations, though none of them ever manages to improve on Bram Stoker's still-haunting original. This new Anglo-American production keeps Stoker's late 19th-century setting, but has transformed the befanged Count into a kind of supernatural corporate raider stalking the sneering, avaricious fatcats of the City of London. Read more... |
Timeshift: When Coal Was King, BBC FourTuesday, 05 November 2013
Energy is this season’s dirty word. The big six fix prices from their ivory towers beyond the national borders, and wouldn’t dream of turning up in person to take a fearful wigging from a Commons Select Committee. In the old days, it was all a bit different. Energy came overwhelming from coal, mined domestically by a huge workforce. Read more... |
Live from the National Theatre: 50 Years on Stage, BBC TwoSunday, 03 November 2013
These celebrations of our yesterdays can easily end up all camembert and wind. But while film people and television people will generally cock such things up, we do still have the odd cultural institution which can be relied upon to throw the right sort of party. For the National Theatre's golden jubilee, therefore, the stops were jolly well pulled out and the invitations damn well accepted from the actors who, striplings at the Old Vic in the Sixties, are now our own Oliviers and Ashcrofts... Read more... |
Bedlam, Channel 4Thursday, 31 October 2013
Compulsives may be wondering whether it was coincidence that Bedlam, Channel 4’s new four-part documentary following the work of the Bethlem Royal Hospital, reached our screens in the same week that the same channel’s Obsessive Compulsive Cleaners returned for a second series. The channel’s own internal debate as to whether it’s out to entertain or enlighten us has clearly not gone away. Read more... |
The Escape Artist, BBC OneWednesday, 30 October 2013
Most of us like a good legal drama, which is why there have been so many of them. By the same logic, finding a fresh spin or a new way of writing and shooting them inevitably grows ever-tougher. Read more... |
Ripper Street, Series Two, BBC OneTuesday, 29 October 2013
Proof that the BBC’s love of gritty realism is not solely the province of Luther and similar modern-day urban crime dramas comes just minutes into the second series of Ripper Street, before the credits even roll. Read more... |
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