Sweden
Ismene Brown
Few dancers have the luck to find a permanent place in history through their role in a new creation as Matz Skoog did in 1987. The Swedish star of the then London Festival Ballet, who died last weekend aged 69 from cancer, was one of the mesmerising original trio in a protest ballet that touched a nerve in its own era, and would then travel across four decades to become a classic. Swansong, choreographed by Christopher Bruce for Festival Ballet in a conscientious response to rising world protests at the disappearance of loved ones into the oblivion of Chilean prisons, seemed to portray a Read more ...
Helen Hawkins
Before the lacerating spats of Albee’s Martha and George, and the circular kvetching of Beckett’s characters, there were August Strindberg’s pioneering excursions into dark psychological truths. Only a handful of his 60 plays are staged here regularly, but thankfully Dance of Death (1900) is one of them.This rendition of a moribund marriage can be a gift to its male lead, as Laurence Olivier and Ian McKellen have shown. Edgar, a pugnacious army captain, is a prototype of the bullied child who matures into a bully, as he himself recognises. He can also be scathingly funny, a trait that Will Read more ...
Joe Muggs
It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever are exposed to very, very odd and abstract soundmaking.There’s new age gong baths at even the most normie health spas. There’s a kajillion hours of “relaxation music” flooding streaming services from who knows where, a lot of it just drones and/or modulating white noise. There’s the sound design of scores by the likes of Hildur Guðnadóttir, Daniel Lopatin, Cristobal Tapia De Veer that reach millions in surround sound via movies, games and prestige Read more ...
Kieron Tyler
Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn, had made three albums with varying success and a raft of home-country hit singles for the label from the mid-Nineties to 2002.She decided that hers would be the reins guiding what would became her fourth album. Up to this point, the credits of her dance-pop records were littered with the names of seasoned producers. Safe hands. Odd tracks had, early on, entered the US charts but that did not translate to a sustained international breakthrough. When Read more ...
Guy Oddy
The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet, speedy and sharp – just the way that rock’n’roll is meant to be.These Swedish garage punks first came to public attention in the early 2000s and were soon lumped in with the garage rock revival of the time. Howlin’ Pelle Almqvist and his energetic gang of Vikings, however, have far outlived any of the competition by continuing to plough their particular furrow and steadfastly refusing to experiment or tinker with their sound. Mind you, it worked for Read more ...
Markie Robson-Scott
“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to England rather than Morocco for their joint sabbatical. Famous last words.Caroline Ingvarsson’s debut feature, adapted from Swedish writer Håkan Nesser’s complex psychological thriller The Living and the Dead in Winsford, is big on atmosphere but leaves too much to the imagination, skimming over the surface of the book, which is well worth reading, and extracting only bare, unsustaining bones.Something bad goes down in a bunker, but it’s hard to tell Read more ...
Kieron Tyler
Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical archetypes – specifically Italian disco and Eurovision-styled balladry – there is little solidity which can be grasped. The wispy clouds in the album’s cover image are emblematic.Taken individually, tracks can be lovely: slices of glacial electro-dance, of sighing balladry. There is pulsing album opener “The Other Days”; a glistening cover of Pet Shop Boys’ “Rent”; the languid, bossa nova-infused “He's Not You”; “Guarding Shell”, with its vague intimations of Read more ...
Ibi Keita
Sweden’s most gloriously unhinged export is back, and Viagr Aboys might just be Viagra Boys at their most fun, feral and fully realised. This album doesn’t try to out-clever the world; it grabs it by the collar, shakes it around, and laughs in its face.From the opening notes, you can tell this isn’t the band trying to reinvent the wheel. They’ve set the wheel on fire and are using it to roast marshmallows. Sebastian Murphy howls and rambles through songs that feel like the soundtrack to a party thrown by nihilistic philosophers and drunk uncles. It’s chaotic, weird, and totally locked in.“Man Read more ...
Kieron Tyler
The titular “lighthouse of glass” is a place where the narrator is “crying into the sun,” in which there is a need to “stand by my solitude.” Choosing isolation and self-determination are themes running throughout Lighthouse of Glass the album and how Sweden’s Sofia Härdig has approached recording these 10 songs. As well as the songwriter, she is the arranger, engineer, producer and main instrumentalist.“April,” the chugging, string-infused album opener suggests a PJ Harvey influence, with a smidge of Nick Cave too. This soon dissipates in favour of broader nods to Patti Smith: “Kingdom Come Read more ...
Mark Kidel
Park Jiha is a super-talented and gloriously inspired Korean multi-instrumentalist. Her new album follows Philos (2018) and The Gleam (2022) and continues to mine a rich vein of Korean tradition, which she filters through a contemporary aesthetic. This isn't fusion, but the wonderfully original and beguiling exploration of a musical world in which sound, timbre, and form evoke the world of nature.In cultures of the East – China, Japan and Korea – all languages (visual, verbal and musical) are connected to nature in a much more direct way than in the West, where words describe at one Read more ...
Alec Frank-Gemmill
One former teacher of mine said of their recording of the Mozart horn concertos “I’m not really sure why I bothered”. Said recording is excellent, so they were probably just being excessively modest. Nevertheless, every new version of these pieces does beg the question, why do we need another one? I was lucky enough to be offered a contract with the record label BIS 10 years ago on the understanding that I would definitely record Mozart’s horn concertos, among other things. It has taken me this long to get around to it. My experiences making discs on period instruments, of transcriptions Read more ...
Guy Oddy
With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide a soundtrack of celebration as we head towards the colder months. And, as expected, Goatman and his crew have not let us down with their completely wigged out set of funky vibes and transcendent rhythms.Lively shamanic grooves fill the band’s third album of new songs in as many years, as our favourite mask-wearing mystics channel uplifting, yet primal chants and mind-blowing cosmic jams with some serious verve after last year’s considerably more Read more ...