sat 27/07/2024

Proms

Prom 42: Cho, Philharmonia, Rouvali review - inflation offset by sweet oases

Chopin’s piano concertos and Strauss “symphonic fantasia” Aus Italien are young men’s music, bursting with inspired ideas, but baggy at times, hard to steer. Elgar’s In the South is up there with the mature Strauss tone poems – even if it couldn’t...

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Prom 39: Schiff, Elbert, Budapest Festival Orchestra, Fischer 3 review - jaw-dropping standards of orchestral playing

The Budapest Festival Orchestra never stops proving what a great ensemble it is. In last night’s concert, the third Prom of its weekend residency, the miraculous ways in which the absurd humour of Ligeti, the deep soulfulness of Bartók and the...

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Prom 38: Audience Choice, Budapest Festival Orchestra, Fischer 2 review - true democracy or tricksy referendum?

It would be worth travelling a long way to hear the Budapest Festival Orchestra giving such a lithe, athletic performance under its founder and Music Director Iván Fischer of Glina’s Ruslan and Lyudmila Overture. That was the Radio 3 and Proms...

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Prom 37: Schiff, Budapest Festival Orchestra, Fischer 1 review - landscapes and mindscapes

“Very traditional, but fun,” ran the verdict of one fellow-traveller as we waited for a bus outside the Royal Albert Hall on Saturday night. No one can gainsay the infectious fun that the Budapest Festival Orchestra bring to every gig. For all its...

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Prom 31: Dialogues des Carmélites, Glyndebourne, BBC Radio 3 review - full force on air

“There will be more incense,” promised Glyndebourne Music Director Robin Ticciati of the company’s annual visit to the Proms. He was talking to my Opera Zoom class between the final rehearsal and first performance of Poulenc’s great masterpiece...

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Prom 28: Rangwanasha, National Youth Orchestra, Prieto review - playing, and singing, with a swing

Programming works from the same decade – in this case the 1940s – can reveal fascinating contrasts: what an impressive gulf, for instance, between two masterpieces by Hindemith and Strauss in this first half, and what sensitivity to very different...

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Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delights

One of the undoubted highlights of Prom 14 was unprogrammed – following his commanding performance of Beethoven’s third piano concerto, Jan Lisiecki returned to the stage to give an encore of Chopin’s Nocturne in E Flat, Opus 9 No 2.There was a rapt...

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Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

This Prom by the BBC Philharmonic was billed as a celebration of the 50th anniversary of the Royal Northern College of Music, in distant Manchester.By design or lucky accident, the RNCM was well represented, with a new work by recent graduate Grace-...

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Prom 4: Deutsche Kammerphilharmonie Bremen, Kuusisto review - Pekka Kuusisto's charisma shrinks the Royal Albert Hall

Pekka Kuusisto, making his Proms debut as conductor in the first half of this concert, and then as violinist/conductor/ringmaster/energiser in the second, brought lightness, playfulness, and a Finnish sense for the absurd to the Albert Hall. He is...

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First Night of the Proms, BBCSO, Stasevska review - fire and elan mark an evening celebrating freedom

Even before the Just Stop Oil protesters hit the stage after the interval, this was destined to be one of the most politically charged Proms the Royal Albert Hall has witnessed for a while. The rousing cheer that greeted the BBC Singers was...

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A hair-raising season: conductors at the 2022 BBC Proms

Flying manes and flashing eyes are part of the inspirational package. We may laugh at some of these dramatic images, but it's usually a sign of the conductor's commitment to his or her orchestra and audience. There's no doubt that the Royal Albert...

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BBC Proms 2022 - silence after Mass

So John Eliot Gardiner’s fire- and-air way with Beethoven’s Missa Solemnis turned out to be the last night of the Proms. Just as I was about to cycle to the Royal Albert Hall for the first of the Philadelphia Orchestra’s two Proms the following...

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