Theatre Reviews
August in England, Bush Theatre review - Lenny Henry monologue lands a painful one-twoMonday, 08 May 2023
Reggae hits are already playing over the speaker system at the Bush when the audience enters, some jigging to the sounds as they find their seats. The set before us is a living room with a bright orange carpet, a squidgy tan faux leather armchair and a cocktail trolley. Read more... |
The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipesSaturday, 06 May 2023
Sometimes I go outside and look at our kitchen drain. Where there should be a vortex there’s a largely static pool. Tree roots have recently grown through the old pipes, their clumps colonised with fat, dog hair and coleslaw bits, and though a bit of handpumping will shift some of the stale water for a while, it really needs systemic attention from Dyno-rod. A good Dyno-rodding is what Chichester’s new production of Noel Coward’s The Vortex needs too. Read more... |
It’s a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hardMonday, 01 May 2023
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb into the narrative. Read more... |
A Play for the Living in a Time of Extinction, Barbican Theatre review - eco-touring play doesn’t travel wellSaturday, 29 April 2023
There was a jolting eco-themed work onstage in London recently, but sadly A Play for the Living in a Time of Extinction, a Headlong company collaboration with director Katie Mitchell and a number of international producing houses, wasn’t it. Read more... |
Jules and Jim, Jermyn Street Theatre review - a bohemian love triangle ends badlyFriday, 28 April 2023
It’s apt that this new play, with characters moving in and out of Paris either side of World War I, is staged at this intimate theatre, one that always has the ambience of a below-ground oubliette. Read more... |
Dixon and Daughters, National Theatre review - cold discomfort harmThursday, 27 April 2023
Men are bastards. Okay, not all of us, but enough to make the lives of millions of women a misery. This we know, but anyone who has any doubts might be educated by some of the horrific statistics of sexual assault and domestic violence in the programme of Deborah Bruce’s Dixon and Daughters, a new play at the Dorfman space of the National Theatre. Read more... |
The Secret Life of Bees, Almeida Theatre review - stirringly delivered musical about civil rightsTuesday, 25 April 2023
The cast of The Secret Life of Bees first parade onto the Almeida stage hefting big glass storage jars full of a golden substance: honey. The jars glow as if they are beacons, lights that guide. Which they turn out to be. Read more... |
Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revivalMonday, 24 April 2023
It's saying a lot when a production lives up to its gasp-inducing set. That's the happy case with Josie Rourke's loving revival of Dancing at Lughnasa, which returns Brian Friel's modern-day classic to the building, the National, where this Olivier and Tony Award-winner first played London over 32 years ago. Read more... |
The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides byMonday, 24 April 2023
As the UK undergoes yet another political convulsion, this time concerning the threshold for ministers being shitty to fellow workers, it is apt that Bertolt Brecht’s parable about the challenges of being good in a dysfunctional society hits London. Read more... |
Ain't Too Proud, Prince Edward Theatre review - Temptations musical is none too temptingSaturday, 22 April 2023
Ain’t Too Proud? Ain’t too good either, I’m afraid. Which is a shame as there’s plenty of the raw material here that powers juggernaut jukebox musicals around the world, but this production has the feel of a cruise ship show with a much tighter band and better singers. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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