The Greater Game, Southwark Playhouse | reviews, news & interviews
The Greater Game, Southwark Playhouse
The Greater Game, Southwark Playhouse
First World War football drama misfires
Michael Head's new play is based on the book They Took the Lead by Stephen Jenkins, which tells the true story of events at Clapton Orient (now Leyton Orient) Football Club during the First World War, when 41 men associated with the east London team – players, backroom staff and supporters – joined up en masse to fight the Kaiser. Three never returned and several others were seriously injured.
It's a familiar story of young men – whether united by town or occupation – who joined “pals regiments” (the Orient players joined the Footballers' Battalion) where they thought they would be having a laugh with their mates on a jaunt abroad. The laughter stopped when they reached the trenches of northern France.
The courage and cameraderie of the men is a rich area to explore
That's where the story starts in Head's play, as we see the young footballers on the Somme in 1916, joined by Lad (a fine Charlie Eales), who has lied about his age to sign up and fight alongside his footballing heroes. At the heart of the play is the relationship between childhood pals and later Orient team-mates William Jonas (Will Howard) and Richard McFadden (Peter Hannah); there's also a neat mirroring of the leadership role played at the Somme by Orient's captain, Spider Parker (Charlie Clements), and the team's boss back in London, Billy Holmes (Nick Hancock).
It's a fantastic story, but one badly served by a weak script (which is often jarringly anachronistic) and fussy direction by Tilly Vosburgh, and at two hours 40 minutes, the play is way too long. Too many scenes are unnecessary and hold up the action (the wives singing a goodbye song to their men, for example) while others merely repeat the same scenario – “We need to win this one, lads,” says manager Billy several times during the evening.
There are some annoyingly stock characters – the dimwitted team member, the lazy, overweight one who avoids training (played by Head) – and some less-than-scintillating dressing-room banter. And if there is one too many leaden jokes about local football rivals Millwall, there are several more about the Londoners in the team confusing Geordies with Wearsiders.
The courage and camaraderie of the men is a rich area to explore, but mostly what we see on the stage is pedestrian and predictable. And while the play has its heart in the right place, there is sadly little theatricality in the writing and staging. The actors do their best with the poor material.
- The Greater Game is at Southwark Playhouse, London SE1 until 15 October
- Read more theatre reviews on theartsdesk
rating
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
 Wendy & Peter Pan, Barbican Theatre review - mixed bag of panto and comic play, turned up to 11
  
  
    
      The RSC adaptation is aimed at children, though all will thrill to its spectacle
  
  
    
      Wendy & Peter Pan, Barbican Theatre review - mixed bag of panto and comic play, turned up to 11
  
  
    
      The RSC adaptation is aimed at children, though all will thrill to its spectacle
  
     Hedda, Orange Tree Theatre review - a monument reimagined, perhaps even improved
  
  
    
      Scandinavian masterpiece transplanted into a London reeling from the ravages of war
  
  
    
      Hedda, Orange Tree Theatre review - a monument reimagined, perhaps even improved
  
  
    
      Scandinavian masterpiece transplanted into a London reeling from the ravages of war
  
     The Assembled Parties, Hampstead review - a rarity, a well-made play delivered straight
  
  
    
      Witty but poignant tribute to the strength of family ties as all around disintegrates
  
  
    
      The Assembled Parties, Hampstead review - a rarity, a well-made play delivered straight
  
  
    
      Witty but poignant tribute to the strength of family ties as all around disintegrates
  
     Mary Page Marlowe, Old Vic review - a starry portrait of a splintered life 
  
  
    
      Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut
  
  
    
      Mary Page Marlowe, Old Vic review - a starry portrait of a splintered life 
  
  
    
      Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut 
  
     Little Brother, Soho Theatre review - light, bright but emotionally true 
  
  
    
      This Verity Bargate Award-winning dramedy is entertaining as well as thought provoking
  
  
    
      Little Brother, Soho Theatre review - light, bright but emotionally true 
  
  
    
      This Verity Bargate Award-winning dramedy is entertaining as well as thought provoking 
  
     The Unbelievers, Royal Court Theatre - grimly compelling, powerfully performed 
  
  
    
      Nick Payne's new play is amongst his best
  
  
    
      The Unbelievers, Royal Court Theatre - grimly compelling, powerfully performed 
  
  
    
      Nick Payne's new play is amongst his best 
  
     The Maids, Donmar Warehouse review - vibrant cast lost in a spectacular-looking fever dream 
  
  
    
      Kip Williams revises Genet, with little gained in the update except eye-popping visuals
  
  
    
      The Maids, Donmar Warehouse review - vibrant cast lost in a spectacular-looking fever dream 
  
  
    
      Kip Williams revises Genet, with little gained in the update except eye-popping visuals
  
     Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful 
  
  
    
      Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall'
  
  
    
      Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful 
  
  
    
      Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall' 
  
     Troilus and Cressida, Globe Theatre review - a 'problem play' with added problems
  
  
    
      Raucous and carnivalesque, but also ugly and incomprehensible
  
  
    
      Troilus and Cressida, Globe Theatre review - a 'problem play' with added problems
  
  
    
      Raucous and carnivalesque, but also ugly and incomprehensible
  
     Clarkston, Trafalgar Theatre review - two lads on a road to nowhere
  
  
    
      Netflix star, Joe Locke, is the selling point of a production that needs one
  
  
    
      Clarkston, Trafalgar Theatre review - two lads on a road to nowhere
  
  
    
      Netflix star, Joe Locke, is the selling point of a production that needs one 
  
     Ghost Stories, Peacock Theatre review - spirited staging but short on scares
  
  
    
      Impressive spectacle saves an ageing show in an unsuitable venue
  
  
    
      Ghost Stories, Peacock Theatre review - spirited staging but short on scares
  
  
    
      Impressive spectacle saves an ageing show in an unsuitable venue 
  
     Hamlet, National Theatre review - turning tragedy to comedy is no joke
  
  
    
      Hiran Abeyeskera’s childlike prince falls flat in a mixed production
  
  
    
      Hamlet, National Theatre review - turning tragedy to comedy is no joke
  
  
    
      Hiran Abeyeskera’s childlike prince falls flat in a mixed production
  
    
Add comment