The Seckerson Tapes: Duke Bluebeard's Castle, The Rite of Spring, ENO

A preview of the Stravinsky and Bartok double bill at the English National Opera

share this article

theartsdesk's podcasts with broadcaster Edward Seckerson continue with a look at the English National Opera's new production of two 20th-century masterpieces: Bartok's Duke Bluebeard's Castle and Stravinsky's The Rite of Spring. Daniel Kramer takes on the mysterious Bluebeard, while Michael Keegan-Dolan and his Olivier Award-nominated dance company, Fabulous Beast, tackle the uncontrollable forces of Stravinsky's infamous Rite.
Listen to the podcast here.

The double bill opens at the ENO on 6 November. Book here

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more opera

High farce and explosive feeling collide in a Fifties Neapolitan romp
A handsome staging of Puccini's gold-rush opera seems bound to win some converts
Five-star duets for two women elevate cramped production of patchy Bellini
The rebel diva finally comes to Sussex in splendour - and squalor
Darkly arresting Purcell sometimes grapples with too many ideas
World class principals can't quite fix a disjointed spectacle
Artistic achievement and production values vie for attention in a mediated experience
This first revival of Deborah Warner's production only gains in horrifying intensity
Elizabeth Maconchy and Elena Langer hit their targets, Charlotte Bray falls short
Berg's queasy setting of a visionary play as you never quite heard or saw it before