ENO
The Turn of the Screw, English National Opera review - Jamesian ambiguities chillingly preservedSaturday, 12 October 2024
At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is known if we first meet the Governess in an insane asylum bed? Yet whether she was mad or maddened during... Read more... |
Suor Angelica, English National Opera review - isolated one-acter lacks emotional inscapingSaturday, 28 September 2024
Puccini elevated the operatic tearjerker to tragic status in three masterpieces: La bohème, Madama Butterfly and Suor Angelica, rivalling the other two in intensity despite its brevity. Its special atmosphere works best as the central part of a... Read more... |
Jenůfa, English National Opera review - searing new cast in precise revivalThursday, 14 March 2024
Face scarred, baby murdered – both crimes committed by those closest to her – village girl Jenůfa rises again with extraordinary strength of will. Of all affirmative endings in opera, Janáček’s has to be the most moving, and all the more so in this... Read more... |
The Magic Flute, English National Opera review - return of an enchanted eveningThursday, 29 February 2024
Trials by fire and water pale in comparison with trials by Arts Council England. English National Opera’s long torment has lately involved redundancy notices issued mid-performance and the enforcement of a sub-standard contract for chorus and... Read more... |
The Handmaid's Tale, English National Opera review - last chance saloon for sub-Atwood baggy monsterFriday, 02 February 2024
Never underestimate the enduring power of a great story over an unwieldy operatic setting. Few of us who saw the first ENO production of The Handmaid’s Tale back in 2003 thought the work stood much chance of revival. Yet Margaret Atwood’s dystopian... Read more... |
Best of 2023: OperaWednesday, 27 December 2023
Choosing a limited best seems almost meaningless when even simply the seven operatic experiences I've relished in the run-up to Christmas (nothing seasonal) deserve a place in the sun. But in a year which has seen Arts Council devastation versus... Read more... |
Iolanthe, English National Opera review - still gorgeous but ever so slightly less funny than beforeWednesday, 11 October 2023
Parliament may be topsy-turvy, with a motley bunch of Lords the only hope in vetoing outrageous bills, but up the road at the London Coliseum a more disciplined company is steering a luxury liner with perfect craft. Cal McCrystal’s best G&S so... Read more... |
Peter Grimes, English National Opera review - not quite the pity or the truthFriday, 22 September 2023
Britten’s biggest cornucopia of invention seems unsinkable, and no-one seeing his breakthrough 1945 opera for the first time in this revival will fail to register its forceful genius. David Alden’s expressionist nightmare of a production, though,... Read more... |
Blue, English National Opera review - the company’s boldest vindication yet?Monday, 24 April 2023
Two recent operas by women have opened in London’s two main houses within a week. Both have superbly crafted librettos dealing with gun violence without a shot being fired, giddyingly fine production values and true ensembles guided by perfect... Read more... |
The Dead City, English National Opera review - strong dream world, weak love storyMonday, 27 March 2023
Is Korngold a second-rank composer with some first-rate ideas? Most performances of the 23-year-old Viennese prodigy's Die tote Stadt make it seem so. Nearly smothered in glitter and craft, the story can compel – an oblique, promising stance on... Read more... |
The Rhinegold, English National Opera review - tacky, edgy, brilliantMonday, 20 February 2023
All that glitters, titular treasure included, is dangerous childsplay in Richard Jones’s third UK staging of what Wagner called the “preliminary evening” to the three main operas of The Ring of the Nibelung. It’s nothing like the previous two, for... Read more... |
An open letter from Dame Sarah Connolly and colleagues to Arts Council EnglandMonday, 28 November 2022
The decision of Arts Council England to withdraw funding from the English National Opera and force it to move out of London is not only another hammer blow to the opera industry but it has huge ramifications for the extensive number of British... Read more... |
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