Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: MØ - Motordrome

Scandi-pop mainstay adds a dash of indie despondence to her third album

share this article

She'll be back

Danish pop star MØ is as well known for her collaborations as her own music. Shining brighter than all of them is the globe-slaying, 24 carat dance craze "Lean On” from 2015, created with Major Lazer and DJ Snake, and, for a few years, Spotify’s most-streamed song.

MØ has, however, also steadily maintained her own career, her attitude and personality usually carving through the pop gloss that surrounds her work. Her latest album, her third, is, she reckons, a return to darker, more honest songwriting. She now says she’s unsure whether 2018’s Forever Neverland stayed “true” to herself. Indeed, Motordrome has no equivalent candied moments, but it’s also not as punchy.

Whatever music she makes, MØ is a likeable pop star, not from the cookie cutter, emanating unforced enigma, her face maintaining an appealing sullenness, her voice cutesy yet spiky, vulnerable when it needs to be. The title Motordrome riffs on the Danish word “dødsdrom”, meaning "existentially trapped", and the idea is that MØ is stepping off the meaningless hamster wheel of fame and promotion to return to herself.

There is indeed a melancholy to it. This is partly down to minor chords and a sparser electro-pop production, as well as the keening guitar solos on “Brad Pitt” and “Hip Bones”, the latter tune underpinned by a vaguely new wave-ish moroseness. However, the lyrics seem mostly about lost love, nostalgic love and self-love, from the piano-driven slowie “Goosebumps” to the #MeToo-touched moodiness of “New Moon” (“It’s a new moon and I’m over you”) to the album’s one outright banger, the self-affirming “Live to Survive”.

The best song is the last one, the epic “Punches”, with its twangin’ guitar and sense of being trapped and seeking escape, with references to the mythical open road (and to Bikini Kill!). It really does sound like a woman who urgently wants to re-engage with her original, raw muse. Overall, though, while a pensive and occasionally doleful step sideways from what has come before, a certain energy is lacking in Motordrome's execution.

Below: watch the video for "New Moon" by MØ

It's a pensive and occasionally doleful step sideways

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album