CD: Bryan Ferry - Avonmore

The song remains fairly similar... but that's OK

share this article

Remind us when you last looked like this, Bryan?

If you glanced too hastily at the sleeve you might think Bryan Ferry had made another album called Avalon, that epitome of the sleek autumnal heyday of Roxy Music. But no. Avonmore, though it may sound like a single malt whisky, is named after Ferry's studio complex in West London, not far from Olympia which gave him the title of a previous album in 2010.

Avonmore is a worthy addition to the string of solo albums (the self-written ones, rather than his parallel stream of covers discs or the peculiar Twenties throwback The Jazz Age) which Ferry has made since the Eighties, with 1985's Boys and Girls having established the template. Produced and arranged with a fastidiousness bordering on psychosis, usually with Rhett Davies at the control board (as he is here), a Ferry album is the Savile Row suit of popular music. Tasteful, trustworthy and aghast at the idea of vulgar displays of emotion, these artefacts are virtually Edwardian in spirit, despite the oodles of cutting-edge technology which has been poured into them.

"Loop De Li" is the immaculately conceived opener, lovingly machined by a swarm of the finest musicians that it's possible to bribe into a studio. It's one of those perfect Ferry grooves, rubbery and funky and infinitesimally laced with micro-accents and tiny instrumental details. Fittingly, its title is delectably singable nonsense.

Despite a cast list that boasts Nile Rodgers, Mark Knopfler, Johnny Marr and Chris Spedding, there's nothing here that threatens to topple "Slave To Love", that Koh-i-Noor of mature Ferry-hood, but fans will happily groove along to the Milk Tray melodrama of "Midnight Train" or the ironic "passion" of "Driving Me Wild". Bry's voice is going a bit soggy round the edges, but he manages to muster some Essence of Croon for "A Special Kind of Guy".

He couldn't resist a cover or two, but should have. "Send In the Clowns" smothers Sondheim's acidic edge in querulous mawkishness, while Robert Palmer's "Johnny and Mary" wasn't much cop to begin with, let alone after Bry has had his way with it. But hey, at least the old boy's doing his best to get out there and kick some ass.

Overleaf: watch Bryan Ferry perform "Loop De Li" on Later with Jools Holland

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Produced with a fastidiousness bordering on psychosis, a Ferry album is the Savile Row suit of popular music

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

Eye-opening tribute to BBC Radio 2’s riposte to Radio’s 1’s allegiance to the charts
Despite a mostly seated venue, the dance veterans got fans on their feet with ease
Extreme noise terrorists double up their fire power to great effect
The quietly poetic singer-songwriter finds an impressive way to get louder
The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe