CD: Bellowhead - Revival

The folk big band deliver another classic collection on new label Island

share this article

All human life (and death) is here: Bellowhead

Impressively old sea shanties with stacked up vocal harmonies and sing-along choruses. Check. Captivating explorations of desire, drink and death. Check. Luxuriant, high spec arrangements presenting an ear-catching crazy quilt of influences. Check. Newly signed to Island Records, in this fifth studio album the award-winning 11-piece folk band sprinkle their usual magic over a bracingly fresh and brilliantly constructed collection of songs.

While some albums drift benignly into your consciousness, others begin with a figurative grabbing of your lapel. Revival falls very much into the latter camp with the pounding rhythms and tight horn riffs of “Let Her Run”. Featuring a driving fiddle intro and a lusty call and response, “Roll Alabama” is classic Bellowhead. The quirky “Moon Kittens” presents a delirious mash-up of John Barry film soundtrack and a Hogarthesque depiction of Bedlam, while “Rosemary Lane” (a version of “Scarborough Fair”) ratchets up the intensity with an almost punk energy.

Sourced from Cyril Tawney's Grey Funnel Lines – Traditional Song & Verse of the Royal Navy 1900-1970, there's nothing battleship grey about lead vocalist Jon Boden's arrangement of “Gosport Nancy”, a paean to the hard drinking, hard partying ladies of the aforementioned town. Here, and elsewhere, Boden reveals his ability to lift the – often centuries old  words off the page and transform them into something entirely personal. The appearance of Richard Thompson's “I Want To See The Bright Lights Tonight” on the track list gives an appreciative nod to the influence of one of the band's illustrious forebears on Island Records.

Arranged by fiddle player and vocalist Sam Sweeney, the swirling, tintinnabulating opening of “Jack Lintel” - the album's sole instrumental - seems to mine a homegrown type of English minimalism, before revealing itself as a sprightly, triple time hornpipe. The hair-raising murder ballad “Greenwood Side” brings this many-splendoured collection to a close.

Overleaf: Watch Bellowhead perform "New York Girls" on Later with Jools Holland



Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Boden reveals his ability to lift the – often centuries old – words off the page and transform them into something entirely personal

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever