mon 31/03/2025

folk music

Album: Erlend Apneseth - Song Over Støv

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an ominous double bass. They merge. The climax is furious, intensely rhythmic. Suddenly, it is over.“Straumen frobi...

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Album: Jason Isbell - Foxes in the Snow

America – the pro-wrestling-ass nation, the ultimate society of the spectacle – famously likes things big, and modern country and western music has gone along with that. Big hats, big trucks, big sentiment, big pop production, very big sales indeed...

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First Person: singer-songwriter David Gray on how the songs on his new album came to him

Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the bones in my face. In this way his ghost walks with me. Sometimes the making process can feel like...

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Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story

I come to this album from a week or so spent among the denizens of the New York and Boston folk revivals, including a key figure from Tulsa and the Guthrie Center, and a concert (Judy Collins, marking 85 years of music and activism).They were a...

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Album: Basia Bulat - Basia's Palace

Canadian singer Basia Bulat has tried on various musical hats during her career but is most associated with singer-songwriterly folk-pop. Her last album was the melancholic, string-swathed The Garden but with Basia’s Palace, her seventh album, she...

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Josienne Clarke, Across the Evening Sky, Kings Place review - celebrating Sandy Denny

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the liminal, predatory dangers of associating in any way with the sly “Reynardine”, with Matt Robinson on piano and...

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Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguiling trip around the world

It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper of this enjoyably esoteric evening. Dutch cellist Hadewych van Gent began the pianissimo movement of...

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Amelia Coburn, Komedia, Brighton review - short set from rising Teeside folk sensation hits the sweet spot

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the Milkman, and I hear she’s playing live near me on the south coast, not something that happens every day.Then I...

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Album: Tunng - Love You All Over Again

This is Tunng’s ninth album, their first in five years, and marks their 20th anniversary by consciously going full circle to the gentle sound sculpture and folk melody of their earliest work. It is also thrown into fascinating relief by...

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Album: Mary Chapin Carpenter, Julie Fowlis & Karine Polwart - Looking For the Thread 

It’s been five years since the last studio album by the inestimable Mary Chapin Carpenter, the lyrical and intimate The Dirt and the Stars, recorded at Peter Gabriel’s Real World Studios in Bath, the second of two projects with producer Ethan Johns...

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A Complete Unknown review - how does it feel?

Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played the role of Alias in Sam Peckinpah’s Pat Garrett and Billy the Kid, having first presented himself to...

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Album: The Weather Station - Humanhood

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they mostly lack singing. Instrumentation is jazzy, leaning on piano and wind instruments. Drones and white noise evoke...

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