thu 28/11/2024

folk music

Album: The Innocence Mission - Midwinter Swimmers

A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map where each street has a doorway which, once opened, reveals memories of those who are missed.Midwinter...

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Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single didn’t make it to shops. There was little promotion and limited radio play. Gnyś had paid RCA Limited...

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Hannah Scott, Worthing Pavilion Theatre Atrium review - filling an arctic venue with human warmth

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the death of beloved father. The undertaker advised her, and her sister, that it wasn’t really done for women...

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Album: Dolly Parton & Family - Smoky Mountain DNA - Family, Faith & Fables

This is almost too much to bear. This sprawling 37-track collection begins with the sainted 78-year-old Dolly Parton providing a jaunty spoken narration of her family’s history in music and the church. It’s old-school Disney documentary in tone, but...

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Le Vent du Nord, Cecil Sharp House review - five extraordinary musicians

Among the many things that make the folk community such a warm and welcoming “family” is that you know which side you’re all on, to paraphrase the title of the song written by Florence Reece, wife of a United Mineworkers official during the bitter...

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Tucker Zimmerman, The Lexington, London review - undersung old-timer airs songwriting excellence

Tucker Zimmerman is singing a number called “Don’t Go Crazy (Go in Peace)”. At 83, he performs sitting down. Surrounded by support band Iji, who act as his pick-up, he approaches the song in a whispery, affable voice. At the start of his set he was...

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Blu-ray: The Outcasts

This other major work by the writer of the English folk horror landmark The Blood on Satan’s Claw (1971), Robert Wynne-Simmons, is more restrained than that unsettlingly erotic, dreadful conjuring of rustic demons and collective evil. He argues...

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Album: Laura Marling - Patterns in Repeat

If there’s a rough-hewn tinge to Laura Marling’s eighth album, then there’s a wildly valid reason for it. It was written shortly after the folk singer-songwriter had her daughter, and was recorded in a home studio with the baby ever present – either...

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Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supernatural song and dance odyssey

Nobodaddy, taking its title from Blake’s violent dark-god “Father of Jealousy”, is much more than a dance piece, and Michael Keegan-Dolan, whose company was formerly known as Fabulous Beast, is more than just a choreographer, with unique takes on...

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Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half century old, the 27 CDs of 431 performances, 417 of them previously unreleased, of Dylan and The Band’s...

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Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative AI to self-driving cars back in 2017: the makers were convinced, perhaps rightly, that they had solved 99.9% of the problem, and therefore would have a viable product within the year. The problem...

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Album: Kevin Fowley - À Feu Doux

“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want her to marry into the gentry or royalty. She, however, is in love with Pierre. He is in prison. She...

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