Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Slovenian avant-folk outfit Širom’s 'In the Wind of Night, Hard-Fallen Incantations Whisper' opens the door to inner space

Unconventional folk-based music which sounds like nothing else

share this article

Širom’s ‘In the Wind of Night, Hard-Fallen Incantations Whisper’: acoustic music rarely sounds this forceful

The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes with what sounds like a sitar to fashion a hypnotic, repetitive whole. It’s as if Slovenia’s Širom have used the time so far to work themselves into a trance-like state. Iztok Koren, Ana Kravanja and Samo Kutin have surrendered to the drone.

In the Wind of Night, Hard-Fallen Incantations Whisper is Širom’s fifth album. Not only does it bear a characteristically mysterious cover image and title, it is also long. Over 74 minutes, there are just seven tracks: the lengthiest is a few seconds short of 19 minutes, the shortest are a pair clocking-in at between three and four minutes. In keeping with the album’s name, the titles of individual tracks are similarly enigmatic: “No One's Footsteps Deep in the Beat of a Butterfly's Wings,” “The Hangman's Shadow Fifteen Years on,” “For You, This Eve, the Wolves Will be Enchantingly Forsaken.” Vocals, when they emerge from the instrumental swirl, are generally wordless chants. Širom are not direct.

However, the folk-based Širom – pronounced “she-rom” – cast a spell. Their meticulously constructed sound-world envelops. In the Wind of Night… is less intense than their live shows, but this is the most potent studio-captured distillation so far of their seamless synthesis of disparate traditional instrumentation – from far and wide: the Mongolian stringed morin khuur features, as does the West-African balafon and an oddly bluegrass-inclined banjo. Acoustic music rarely sounds this forceful. As a pointer to Širom’s individuality, plausible fellow travellers from the past are the most folk-slanted and also drone-focussed bands associated with Sweden’s late Sixties/early Seventies progg (sic) scene. Some of the records by, say, Arbete och fritid or Kebnekajse.

Even so, the unconventional Širom, now in their 10th year, have consistently imagined a form of music which sounds like nothing else. Live, it really is a trip. On In the Wind of Night, Hard-Fallen Incantations Whisper, the impact is more understated – but, still, inner space beckons. 

@kierontyler.bsky.social

Širom’s meticulously constructed sound-world envelops

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album