thu 27/02/2025

New Music Reviews

Marc Almond, Shepherd's Bush Empire

Bruce Dessau

The first time I interviewed Marc Almond back in the late 1980s he had a pet snake with him, just one of the many things that sets him apart from today's stars. These days the only reptiles one sees around chart-toppers are the publicists. Almond has been part of the pop furniture for three decades but it was still something of a surprise to discover that he was celebrating his 55th birthday last night. Tempus fugit and all that.

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Reissue CDs Weekly: Sound System, Songs for the Lyons Cornerhouse, All Kinds of Highs, Bananarama

theartsdesk


sound systemVarious Artists: Sound System - The Story of Jamaican Music

Thomas H Green

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Hot 8 Brass Band, Jazz Cafe

Garth Cartwright

New Orleans brass remains the elemental party sound of the Crescent City with groups of young black men providing a bright, swaggering soundtrack to jazz funerals and second line parades. Originally, the brass bands grew out of working men’s clubs that acted as de facto unions in the then segregated south.

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Garbage, Barrowlands, Glasgow

Lisa-Marie Ferla

The Queen made a rare visit to Glasgow yesterday. Now as luck would have it Liz 'n' Philip did too, apparently driving by my office on their way to George Square for afternoon tea and a quick chorus of long-to-reign-over-us (at least until 2014), and in the process lending this opening paragraph a rare note of topicality.

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Regina Spektor, Royal Albert Hall

Russ Coffey

Regina’s Spektor’s kooky New York piano gal shtick sure divides audiences. For every person who finds her a perfect antidote (I refuse to say adorkable) to all that’s mainstream and soulless, there is someone else who wants to punch her on the nose for singing “on the Braa-dio-uh-oh” instead of “on the radio.”

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Bob Dylan, Hop Farm Festival

Nigel Williamson

Bob Dylan once described himself as ''just a song and dance man''. If the phrase was intended to debunk our veneration of him as the voice of a generation and to imply that he's just an old-fashioned entertainer in the great showbiz tradition, devotees have never believed him and have carried on seeking clues to the meaning of life in his work, campaigning for him to win the Nobel Prize for Literature and generally treating his every utterance as if he's the Oracle.

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Tom Jones, Hammersmith Apollo

Russ Coffey

It seems almost a lifetime since Tom Jones was a man in very tight clothes who did well in the clubs of Las Vegas. After the fallow years, his 1988 cover of Prince’s “Kiss” kick-started a tongue-in-cheek rehabilitation period that lasted a decade, right up to the unforgettable “whoowauh!” of “Sex Bomb”. But what happened next surprised everyone. Jones started to relearn his craft.

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Reissue CDs Weekly: The Searchers, This Ain't Chicago, The Spinners, Bronski Beat/Communards

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The Searchers: Hearts in Their Eyes box setThe Searchers: Hearts in Their Eyes

Kieron Tyler

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Frankie Valli & the Four Seasons, Royal Albert Hall

Kieron Tyler

It was the right venue. Frankie Valli is New Jersey royalty. He might not have been crowned, but appearing in The Sopranos is as good as any coronation. As he leaned into the audience, shaking hands, he spread his magic. Even Jimmy Page had come along for this rare London show by one of pop’s greatest, most distinctive voices.

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Sean Paul, Indigo2

Natalie Shaw

Sean Paul, the accessible face of dancehall, is back. It’s been 10 years since he rose to the big league with his 2002 breakout album Dutty Rock, and he recently released his fifth album Tomahawk Technique. His mix of dancehall rhythms, bhangra beats and old-school reggae with boyband-cheesy lyrics gave him temporary pop pin-up status during the early 2000s. He brought dancehall to an international audience, and ended up having a huge influence on American hip-hop.

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