Katy Perry, LG Arena, Birmingham

The Prismatic Tour is a show of many parts

share this article

Katy Perry: girl power 2014

As her rendition of “Double Rainbow”, from recent album Prism, draws to end, Katy Perry announces into her microphone that “It was the music that brought you here! You like the costumes and lights but the music brought you here!” The funny thing is that actually the music is the least of things in the Katy Perry live spectacular. The stage set is loaded with trap doors, moving platforms, dry ice, lights, lazers, a troop of dancers in day-glo costumes that bring more than a sniff of Alice in Wonderland to the proceedings but we are four songs into her set before we see anyone with a musical instrument.

Katy Perry knows her audience though and gives them exactly what they want. She may have been given the accolade of “World’s sexiest woman” by numerous men’s magazines but actually her image is more one of knowing older sister to the hordes of teenage girls who press forward with their mobile phones held up to film their idol. This is reinforced by references to “being out on a school night” and the advertising bombardment of various Katy Perry branded products that appear on the LG Arena’s huge screens before she takes to the stage.

The show was one of many parts, much like acts in a play, each going under names such as “Prismatic”, “Egyptian” and “Cat-Oure” with costume and set changes for each. Hyper-active dancers spun, jumped and flew around the stage on trapeze wires, while musicians came and went. The songs, however, were all pretty much of a type. Bombastic hymns to self-reflection and self-improvement from her Prism album were punctuated by “I kissed a girl”, “Hot ‘n’ Cold” and other worldwide hits from her One of the Boys and Teenage Dream albums. All were characterised by a foghorn voice that seemingly doesn’t do subtlety. That said, it was totally suited to her audience of young girls hopped up on fizzy drinks and fast food and decked out in garb proclaiming their love for their heroine.

Towards the end of the show, as the music began to flag after yet another short break for yet another costume change, Katy finally brought out the big guns. Speeding through hit after hit with “Teenage Dream”, “California Gurls” and recent single “Birthday” to the fore, she even dragged one of the relatively few guys from the audience to sit on a birthday throne to be serenaded. She returned once more for further foghorn singing and an encore of “Firework” but by this time significant numbers from her audience was already trudging towards the exits – but that’s the risk you run of playing a two hour show to barn-load of school kids who have got to get up early the next morning.  

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Katy Perry knows her audience and gives them exactly what they want

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job